«Auferstehen müssen die Toten». Atomare Apokalypse in Kurt Becsis «Atom vor Christus»

Authors

  • Emilia Fiandra Università degli Studi Roma Tre, Italy

DOI:

https://doi.org/10.13130/1593-2508/4855

Abstract

The atomic play Atom vor Christus (1952) by the Viennese playwright Kurt Becsi (1920-1988) is one of the very numerous works on the subject of the nuclear threat that appeared in German-speaking countries in the 1950s and ’60s. This article investigates the complex Christian religious discourse that embeds the dramatization of atomic issues and apocalyp­tic ideas of the End in Becsi’s play. Special focus is given to such aspects as the struggle between generations and, in particular, the conflict between the unscrupulous scientist (and his hubris) and the figure of the repentant bomber pilot that becomes a monk (Science versus love, logic versus Christian grace).

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Published

2015-05-26