2024-03-29T00:44:33Z
https://riviste.unimi.it/index.php/index/oai
oai:ojs.riviste.unimi.it:article/1601
2015-10-16T21:20:14Z
Lebenswelt:FOR
v2
https://riviste.unimi.it/index.php/Lebenswelt/article/view/1601
2015-10-16T21:20:14Z
Milano University Press
N. 1 (2011)
Forum über B. Waldenfels, "Sinne und Künste im Wechselspiel"
Waldenfels, A. Kapust, G. Baptist, P. Stoellger, hrsg. von S. Feloj, mit B.
2011-12-02
url:https://riviste.unimi.it/index.php/Lebenswelt/article/view/1601
it_IT
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oai:ojs.riviste.unimi.it:article/1704
2016-06-30T15:46:12Z
Lebenswelt:FOR
v2
https://riviste.unimi.it/index.php/Lebenswelt/article/view/1704
2016-06-30T15:46:12Z
Milano University Press
N. 1 (2011)
Einleitung. An den Grenzen des Bildes
Stoellger, Philipp; Universität Rostock
2011-12-15
url:https://riviste.unimi.it/index.php/Lebenswelt/article/view/1704
it_IT
In this paper I take into account the idea of reflective pictorial difference. The question is: is a pre-reflective difference a fundamental difference, to which we can answer by means of a reflective difference? I try to explain this problem with reference to Bernard Waldenfels' responsive philosophy.
oai:ojs.riviste.unimi.it:article/2661
2015-10-16T21:20:36Z
Lebenswelt:FOR
v2
https://riviste.unimi.it/index.php/Lebenswelt/article/view/2661
2015-10-16T21:20:36Z
Milano University Press
N. 2 (2012)
Forum on John Hyman, "The objective eye"
Hyman, ed. by S. Chiodo, with J.
Z. Adams, P. Spinicci, M. Budd, W. Davies,
2012-12-21
url:https://riviste.unimi.it/index.php/Lebenswelt/article/view/2661
it_IT
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oai:ojs.riviste.unimi.it:article/3479
2015-10-16T21:21:11Z
Lebenswelt:FOR
v2
https://riviste.unimi.it/index.php/Lebenswelt/article/view/3479
2015-10-16T21:21:11Z
Milano University Press
N. 3 (2013)
Forum on Martin Puchner, "The drama of ideas"
Rozzoni, with M. Puchner, D. Kornhaber, L. Cull, T. Stern, M. Harries, ed. by C.
2013-12-16
url:https://riviste.unimi.it/index.php/Lebenswelt/article/view/3479
it_IT
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oai:ojs.riviste.unimi.it:article/4526
2015-10-16T21:22:07Z
Lebenswelt:FOR
v2
https://riviste.unimi.it/index.php/Lebenswelt/article/view/4526
2015-10-16T21:22:07Z
Milano University Press
N. 5 (2014)
Forum on Jerrold Levinson, "Contemplating Art"
Rotili, with J. Levinson, A. Bertinetto, M. Di Monte, F. Focosi, L. Giombini, ed. by M.
2014-12-07
url:https://riviste.unimi.it/index.php/Lebenswelt/article/view/4526
it_IT
Jerrold Levinson’s Contemplating Art provides the readers with a variety of heterogeneous topics and issues. The discussants who took part in the Forum about Levinson’s book chose four different “tracks” dealt with, offering four different reflections. The main topics of the debate are: music, historicity, aesthetic properties and aesthetic contextualism.Starting on the fact that music is one of the main fields of Contamplating Art Alessandro Bertinetto focus his paper on the ‘musical’ chapters of the book that 1) defend the theory of musical expressivity presented by Levinson in his previous books (the ‘theory of musical persona’); 2. articulate it in reference to particular aspects of musical experience, and 3. examine its contribution for the understanding of the narrative and dramatic dimension of music as well as 4., in general, for its artistic value. Michele Di Monte’s aim is to focus on the questions raised by the alleged essential historicality of the concept of art and the formal definition of the concept itself. He discusses, in particular, the epistemic basis and status of what Levinson calls ‘our present concept of art’, the logical outcomes of its role in defining and identifying the art of the past and the problematic relationship between a universality requirement and the theory’s pretension to historicality. Filippo Focosi discusses in the first place the passages of Levinson’s book where his paradigmatic aesthetic principle explicitly occurs; secondly, he shows how such a principle, as is there articulated, can disclose interest perspectives on other aspects of Levinson’s theories about art and aesthetic properties. The paper by Lisa Giombini focuses on on the role of context in Levinson’s definition of art.Afterdefining Levinson’s version of aesthetic contextualism, Giombiniunderlines how Levinson’s intentional-historical definition may provide fertile ground for a peculiar form of contextualism where the relevant context is constituted by the history of art and the practice of art alone. Finally she inquires whether Levinson’s identifying works of art with wholly relational intentionally-historically defined concepts may interfere with his adhesion to aesthetic realism.
oai:ojs.riviste.unimi.it:article/6679
2016-03-15T13:39:47Z
Lebenswelt:FOR
v2
https://riviste.unimi.it/index.php/Lebenswelt/article/view/6679
2016-03-15T13:39:47Z
Milano University Press
N. 7 (2015)
Forum on Robert B. Pippin, "After the beautiful"
with R.B. Pippin, M. Farina, F. Campana, F. Iannelli, T. Pinkard, I. Testa, L. Corti, ed. by M. Farina,
2016-01-01
url:https://riviste.unimi.it/index.php/Lebenswelt/article/view/6679
it_IT
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oai:ojs.riviste.unimi.it:article/7959
2017-01-09T11:37:51Z
Lebenswelt:FOR
v2
https://riviste.unimi.it/index.php/Lebenswelt/article/view/7959
2017-01-09T11:37:51Z
Milano University Press
N. 9 (2016)
Forum on Charlotte Cotton, "Photography is magic"
O. Meo, A.-K. Rastenberger, D. Curti, B. Burbridge, ed. by C. Spenuso, with C. Cotton,
2016-12-31
url:https://riviste.unimi.it/index.php/Lebenswelt/article/view/7959
it_IT
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oai:ojs.riviste.unimi.it:article/9456
2018-01-10T14:20:19Z
Lebenswelt:FOR
v2
https://riviste.unimi.it/index.php/Lebenswelt/article/view/9456
2018-01-10T14:20:19Z
Milano University Press
N. 11 (2017)
Forum on Boris Groys, "In the Flow"
with B. Groys, T. Smith, E. Tavani, E. Archias, C. Bishop, M. Farina, Y. Förster, ed. by F. Campana,
2018-01-08
url:https://riviste.unimi.it/index.php/Lebenswelt/article/view/9456
it_IT
...
oai:ojs.riviste.unimi.it:article/11104
2019-01-14T12:12:04Z
Lebenswelt:FOR
v2
https://riviste.unimi.it/index.php/Lebenswelt/article/view/11104
2019-01-14T12:12:04Z
Milano University Press
N. 13 (2018)
Forum on Samir Gandesha - Johan Hartle (eds.), "Aesthetic Marx"
S. Marino, ed. by M. Farina -
R. Vitali, M. Vero, G. Schimmenti, M. Farina, with S. Gandesha, J. Hartle, S. Marino,
2019-01-08
url:https://riviste.unimi.it/index.php/Lebenswelt/article/view/11104
it_IT
...
oai:ojs.riviste.unimi.it:article/14198
2020-09-08T10:01:40Z
Lebenswelt:FOR
v2
https://riviste.unimi.it/index.php/Lebenswelt/article/view/14198
2020-09-08T10:01:40Z
Milano University Press
N. 15 (2019); 114-154
Forum on S. Zabala, "Why only art can save us"
ed. by D. Angelucci
with S. Zabala, D. Angelucci, A. Boetzkes, P. Kottman, I. Perniola
2019-12-23
url:https://riviste.unimi.it/index.php/Lebenswelt/article/view/14198
it_IT
...
oai:ojs.riviste.unimi.it:article/20103
2023-06-21T13:47:24Z
Lebenswelt:FOR
v2
https://riviste.unimi.it/index.php/Lebenswelt/article/view/20103
2023-06-21T13:47:24Z
Milano University Press
N. 19 (2021)
FORUM on B. Bégout, Le concept d’ambiance
Alberti, Germana
2023-06-21
url:https://riviste.unimi.it/index.php/Lebenswelt/article/view/20103
it_IT
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oai:ojs.riviste.unimi.it:article/21063
2023-09-15T08:38:10Z
Lebenswelt:FOR
v2
https://riviste.unimi.it/index.php/Lebenswelt/article/view/21063
2023-09-15T08:38:10Z
Milano University Press
N. 20 (2022)
FORUM on M.M. Merritt, Cambridge Elements: The Philosophy of Immanuel Kant. The Sublime
Milli, ed. by Giulia
2023-09-15
url:https://riviste.unimi.it/index.php/Lebenswelt/article/view/21063
it_IT
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