2024-03-28T20:44:57Z
https://riviste.unimi.it/index.php/index/oai
oai:ojs.riviste.unimi.it:article/1362
2019-11-06T18:19:52Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1362
2019-11-06T18:19:52Z
Milano University Press
V. 18 (2011): Studia theodisca XVIII (2011); 5-17
Kunst-Gedanken in Tiecks «Franz Sternbalds Wanderungen»
Nehring, Wolfgang; University of California - Los Angeles, USA
2011-10-24
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1362
en_US
Ludwig Tieck is not only the most productive and stimulating power of German Romanticism with respect to literature but also, largely unnoticed by his contemporaries and critics, an innovative proponent of a new art. His Sternbald goes way beyond the position of Wackenroder’s Herzensergießungen from which it started. It not only influenced the artwork of the two most important romantic painters, Philipp Otto Runge and Caspar David Friedrich, but advocates, in a way, twentieth-century ideas of modern painting.
oai:ojs.riviste.unimi.it:article/1363
2019-11-06T18:19:52Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1363
2019-11-06T18:19:52Z
Milano University Press
V. 18 (2011): Studia theodisca XVIII (2011); 19-34
La rappresentazione del rituale di poesia nel ciclo «Waller im Schnee» di Stefan George
Pirro, Maurizio; Università degli Studi di Bari Aldo Moro, Italy
2011-10-24
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1363
en_US
This paper focuses on para-religious elements in the poetry of Stefan George, with reference to the cycle Waller im Schnee, which occupies the middle of the first section in the collection Das Jahr der Seele (1897). The waning of the sentimental relationship between the protagonist and his interlocutor is linked to the loss of effectiveness of a priestly ritual, which in the past had held the two together and whose significance has now diminished through perplexity and misunderstanding.
oai:ojs.riviste.unimi.it:article/1364
2019-11-06T18:19:52Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1364
2019-11-06T18:19:52Z
Milano University Press
V. 18 (2011): Studia theodisca XVIII (2011); 35-54
Rilke contra Wagner. Rilke’s early concept of Music and the Convergence of the Arts around 1900
Eidt, Jacob-Ivan; University of Dallas, Texas (USA)
2011-10-24
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1364
en_US
This article examines Rainer Maria Rilke’s fundamental distinction between the essence of music and poetry, concentrating on his earliest encounters with music around 1900 and their impact on his poetics. It places Rilke’s concept of music into the cultural context of the romantic experience and reception of music and the other arts in Germany at the turn of the century. Rilke’s early understanding is ultimately negative, deviating from the popularly held belief in fin de siècle Europe that all the arts are not just compatible but also in essence identical. For Rilke there can be neither a Wagnerian Gesamtkunswerk nor a greater underlying principle around which the arts could be united, despite his enthusiastic integration of the visual arts into his poetics.
oai:ojs.riviste.unimi.it:article/1365
2019-11-06T18:19:52Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1365
2019-11-06T18:19:52Z
Milano University Press
V. 18 (2011): Studia theodisca XVIII (2011); 55-86
«Tu, solo, con la storia alle spalle». Durs Grünbein e la DDR: un bilancio critico
Vecchiato, Daniele; Università Ca' Foscari Venezia, Italy
2011-10-24
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1365
en_US
This paper analyses some of the most significant (post-)GDR poems by Grünbein and traces the development of aesthetic and poetological issues that are central to the poet’s oeuvre. It provides an articulated overview of Grünbein’s poetics by examining fundamental themes like the love/hate attitude towards his hometown Dresden, the complementary concepts of history and memory, and the materialism of the body as an antidote to utopias.
oai:ojs.riviste.unimi.it:article/1366
2019-11-06T18:19:52Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1366
2019-11-06T18:19:52Z
Milano University Press
V. 18 (2011): Studia theodisca XVIII (2011); 87-127
Die Tradition der Beredsamkeit und deutschsprachiger Rhetoriklehre im 19. Jahrhundert. Mit einem bibliographischen Anhang “Deutschsprachige Rhetorik-Handbücher des 19. Jahrhunderts”
Haase, Fee-Alexandra; Independent Researcher, Germany
2011-10-24
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1366
en_US
This article focuses on rhetorical handbooks written in Germany during the 19th century. It traces back the tradition of rhetorical handbooks, which started in ancient Greece and developed into a branch of literature in Europe, where it is attested in various languages of the young national states. The books written and edited during the 19th century contribute to the history of rhetoric in Europe and demonstrate how rhetoric was implemented into the German educational system of the 19th century. A list of handbooks published during this period is a complementary element of research presented in this article.
oai:ojs.riviste.unimi.it:article/1368
2019-11-06T18:19:52Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1368
2019-11-06T18:19:52Z
Milano University Press
V. 18 (2011): Studia theodisca XVIII (2011); 129-160
Durchbruch e turgore. Tendenze regressive in «Gehirne» di Gottfried Benn
Di Noi, Barbara; Università degli Studi di Firenze, Italy
2011-10-25
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1368
en_US
The so-called Rönne-complex belongs to Benn’s early prose production and consists of a cycle of short texts held together by the anti-hero Rönne. Although he presents features which might suggest an identification with his author, the main character is not to be reduced to a mere mask or to Benn’s alter ego. Rönne represents only a partial autobiographical projection of his author, as he is exclusively concerned with the problem of art and expression. According to Nietzsche, he can only justify the world as a work of art.
oai:ojs.riviste.unimi.it:article/1369
2019-11-06T18:19:52Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1369
2019-11-06T18:19:52Z
Milano University Press
V. 18 (2011): Studia theodisca XVIII (2011); 161-180
Topographie und Topologie in Edith Kneifls Kriminalromanen
Saletta, Ester; Università degli Studi di Bergamo, Italy
2011-10-25
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1369
en_US
Edith Kneifl’s thrillers follow a double geographical dimension, since Italy and Austria form the narrative setting of her criminal minds. Women who recall Lucrezia Borgia and men under the impulse of uncontrolled violent emotions move from town to town showing that the criminal setting is not just a plain narrative landscape but rather more of a topographic and topologic stage on which the human identity can let its unconsciousness be free to self-determination.
oai:ojs.riviste.unimi.it:article/1370
2019-11-06T18:19:52Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1370
2019-11-06T18:19:52Z
Milano University Press
V. 18 (2011): Studia theodisca XVIII (2011); 181-204
Le immagini del potere. La Deutsche Kunstgesellschaft e l’arte del Terzo Reich
Locatelli, Valentina; Università degli Studi di Bergamo, Italy
2011-10-25
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1370
en_US
This essay deals with the uses of art for representing power in Germany from the Weimar Republic to the Second World War. It focuses on the figure of Bettina Feistel-Rohmeder and the origins of her Deutsche Kunstgesellschaft. A brief comparison of the art promoted by the German Art Society with the one later made official by Hitler’s regime will demonstrate their common roots in the völkisch (nationalistic) milieu and the romantic tradition. This essay also presents a selection of a few articles collected in “Das Bild”.
oai:ojs.riviste.unimi.it:article/1391
2019-11-06T18:19:52Z
StudiaTheodisca:CVR
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1391
2019-11-06T18:19:52Z
Milano University Press
V. 18 (2011): Studia theodisca XVIII (2011); 1-3
Cover and Introductory Pages
Cercignani, Fausto; Università degli Studi di Milano, Italy
2011-10-28
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1391
en_US
Studia theodisca, Vol 18 (2011) - Cover and Introductory Pages
oai:ojs.riviste.unimi.it:article/1416
2019-11-06T18:19:52Z
StudiaTheodisca:Img
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1416
2019-11-06T18:19:52Z
Milano University Press
V. 18 (2011): Studia theodisca XVIII (2011)
Cover for Vol 18
Cercignani, Fausto; Università degli Studi di Milano, Italy
2011-11-05
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1416
en_US
Studia theodisca, Cover for Vol 18 (2011)
oai:ojs.riviste.unimi.it:article/1447
2019-11-06T18:14:17Z
StudiaTheodisca:CVR
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1447
2019-11-06T18:14:17Z
Milano University Press
V. 7 (2000): Studia theodisca VII (2000)
The essays in Vol 7 (2000)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2011-11-14
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1447
en_US
Studia theodisca - The essays in Vol 7 (2000)
oai:ojs.riviste.unimi.it:article/1448
2019-11-06T18:15:08Z
StudiaTheodisca:CVR
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1448
2019-11-06T18:15:08Z
Milano University Press
V. 8 (2001): Studia theodisca VIII (2001)
The essays in Vol 8 (2001)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2011-11-14
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1448
en_US
Studia theodisca - The essays in Vol 8 (2001)
oai:ojs.riviste.unimi.it:article/1449
2019-11-06T18:15:43Z
StudiaTheodisca:CVR
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1449
2019-11-06T18:15:43Z
Milano University Press
V. 9 (2002): Studia theodisca IX (2002)
The essays in Vol 9 (2002)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2011-11-14
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1449
en_US
Studia theodisca - The essays in Vol 9 (2002)
oai:ojs.riviste.unimi.it:article/1450
2019-11-06T18:16:31Z
StudiaTheodisca:CVR
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1450
2019-11-06T18:16:31Z
Milano University Press
V. 10 (2003): Studia theodisca X (2003)
The essays in Vol 10 (2003)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2011-11-14
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1450
en_US
Studia theodisca - The essays in Vol 10 (2003)
oai:ojs.riviste.unimi.it:article/1451
2019-11-06T18:17:12Z
StudiaTheodisca:CVR
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1451
2019-11-06T18:17:12Z
Milano University Press
V. 11 (2004): Studia theodisca XI (2004)
The essays in Vol 11 (2004)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2011-11-14
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1451
en_US
Studia theodisca - The essays in Vol 11 (2004)
oai:ojs.riviste.unimi.it:article/1452
2019-11-06T18:17:45Z
StudiaTheodisca:CVR
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1452
2019-11-06T18:17:45Z
Milano University Press
V. 12 (2005): Studia theodisca XII (2005)
The essays in Vol 12 (2005)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2011-11-14
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1452
en_US
Studia theodisca - The essays in Vol 12 (2005)
oai:ojs.riviste.unimi.it:article/1453
2019-11-06T18:18:05Z
StudiaTheodisca:CVR
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1453
2019-11-06T18:18:05Z
Milano University Press
V. 13 (2006): Studia theodisca XIII (2006)
The essays in Vol 13 (2006)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2011-11-14
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1453
en_US
Studia theodisca - The essays in Vol 13 (2006)
oai:ojs.riviste.unimi.it:article/1454
2019-11-06T18:18:25Z
StudiaTheodisca:CVR
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1454
2019-11-06T18:18:25Z
Milano University Press
V. 14 (2007): Studia theodisca XIV (2007)
The essays in Vol 14 (2007)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2011-11-14
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1454
en_US
Studia theodisca - The essays in Vol 14 (2007)
oai:ojs.riviste.unimi.it:article/1455
2019-11-06T18:18:43Z
StudiaTheodisca:CVR
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1455
2019-11-06T18:18:43Z
Milano University Press
V. 15 (2008): Studia theodisca XV (2008)
The essays in Vol 15 (2008)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2011-11-14
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1455
en_US
Studia theodisca - The essays in Vol 15 (2008)
oai:ojs.riviste.unimi.it:article/1456
2019-11-06T18:19:02Z
StudiaTheodisca:CVR
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1456
2019-11-06T18:19:02Z
Milano University Press
V. 16 (2009): Studia theodisca XVI (2009)
The essays in Vol 16 (2009)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2011-11-14
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1456
en_US
Studia theodisca - The essays in Vol 16 (2009)
oai:ojs.riviste.unimi.it:article/1457
2019-11-06T18:19:22Z
StudiaTheodisca:CVR
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1457
2019-11-06T18:19:22Z
Milano University Press
V. 17 (2010): Studia theodisca XVII (2010)
The essays in Vol 17 (2010)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2011-11-14
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1457
en_US
Studia theodisca - The essays in Vol 17 (2010)
oai:ojs.riviste.unimi.it:article/1461
2019-11-06T18:13:58Z
StudiaTheodisca:CVR
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1461
2019-11-06T18:13:58Z
Milano University Press
V. 6 (1999): Studia theodisca VI (1999)
The essays in Vol 6 (1999)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2011-11-16
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1461
en_US
Studia theodisca - The essays in Vol 6 (1999)
oai:ojs.riviste.unimi.it:article/1486
2019-11-06T18:13:41Z
StudiaTheodisca:CVR
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1486
2019-11-06T18:13:41Z
Milano University Press
V. 5 (1998): Studia theodisca V (1998)
The essays in Vol 5 (1998)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2011-11-17
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1486
en_US
Studia theodisca - The essays in Vol 5 (1998)
oai:ojs.riviste.unimi.it:article/1492
2019-11-06T18:13:22Z
StudiaTheodisca:CVR
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1492
2019-11-06T18:13:22Z
Milano University Press
V. 4 (1997): Studia theodisca IV (1997)
The essays in Vol 4 (1997)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2011-11-18
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1492
en_US
Studia theodisca - The essays in Vol 4 (1997)
oai:ojs.riviste.unimi.it:article/1526
2019-11-06T18:13:03Z
StudiaTheodisca:CVR
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1526
2019-11-06T18:13:03Z
Milano University Press
V. 3 (1996): Studia theodisca III (1996)
The essays in Vol 3 (1996)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2011-11-20
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1526
en_US
Studia theodisca - The essays in Vol 3 (1996)
oai:ojs.riviste.unimi.it:article/1539
2019-11-06T18:12:44Z
StudiaTheodisca:CVR
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1539
2019-11-06T18:12:44Z
Milano University Press
V. 2 (1995): Studia theodisca II (1995)
The essays in Vol 2 (1995)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2011-11-23
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1539
en_US
Studia theodisca - The essays in Vol 2 (1995)
oai:ojs.riviste.unimi.it:article/1551
2016-10-26T13:32:26Z
StudiaTheodisca:CVR
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1551
2016-10-26T13:32:26Z
Milano University Press
Studia theodisca – Novalis (2002)
The essays in "Novalis" (2002)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2011-11-29
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1551
en_US
The essays in "Studia theodisca - Novalis" (2002)
oai:ojs.riviste.unimi.it:article/1580
2016-10-26T13:32:19Z
StudiaTheodisca:CVR
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1580
2016-10-26T13:32:19Z
Milano University Press
Studia theodisca – Dal giornale al testo poetico – I «Berliner Abendblätter» di Heinrich von Kleist (2001); 1-2
Dal giornale al testo poetico ... (2001). The essays in Italian, with links to the essays in German
Cercignani, Fausto; Università degli Studi di Milano, Italy
2011-12-01
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1580
en_US
Studia theodisca – Dal giornale al testo poetico. I «Berliner Abendblätter» di Heinrich von Kleist (2001). The essays in Italian, with links to the essays in German.
oai:ojs.riviste.unimi.it:article/1775
2019-11-06T18:10:18Z
StudiaTheodisca:CVR
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1775
2019-11-06T18:10:18Z
Milano University Press
V. 1 (1994): Studia theodisca I (1994)
The essays in Vol 1 (1994)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2011-12-28
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1775
en_US
Studia theodisca - The essays in Vol 1 (1994)
oai:ojs.riviste.unimi.it:article/1828
2019-11-06T18:19:52Z
StudiaTheodisca:CfP
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1828
2019-11-06T18:19:52Z
Milano University Press
V. 18 (2011): Studia theodisca XVIII (2011); 205
Call for Papers
Cercignani, Fausto; Università degli Studi di Milano, Italy
2012-01-05
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/1828
en_US
Studia theodisca XVIII (2011) - Call for Papers
oai:ojs.riviste.unimi.it:article/2073
2019-11-06T18:19:52Z
StudiaTheodisca:VOL
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2073
2019-11-06T18:19:52Z
Milano University Press
V. 18 (2011): Studia theodisca XVIII (2011); 1-206
Studia theodisca XVIII (2011)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2012-03-12
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2073
en_US
Studia theodisca XVIII (2011) - The Entire Volume
oai:ojs.riviste.unimi.it:article/2075
2019-11-06T18:10:18Z
StudiaTheodisca:VOL
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2075
2019-11-06T18:10:18Z
Milano University Press
V. 1 (1994): Studia theodisca I (1994); 1-262
Studia theodisca I (1994)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2012-03-15
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2075
en_US
Studia theodisca I (1994) - The Entire Volume
oai:ojs.riviste.unimi.it:article/2076
2019-11-06T18:12:44Z
StudiaTheodisca:VOL
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2076
2019-11-06T18:12:44Z
Milano University Press
V. 2 (1995): Studia theodisca II (1995); 1-232
Studia theodisca II (1995)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2012-03-15
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2076
en_US
Studia theodisca II (1995) - The Entire Volume
oai:ojs.riviste.unimi.it:article/2077
2019-11-06T18:13:03Z
StudiaTheodisca:VOL
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2077
2019-11-06T18:13:03Z
Milano University Press
V. 3 (1996): Studia theodisca III (1996); 1-230
Studia theodisca III (1996)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2012-03-15
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2077
en_US
Studia theodisca III (1996) - The Entire Volume
oai:ojs.riviste.unimi.it:article/2078
2019-11-06T18:13:22Z
StudiaTheodisca:VOL
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2078
2019-11-06T18:13:22Z
Milano University Press
V. 4 (1997): Studia theodisca IV (1997); 1-236
Studia theodisca IV (1997)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2012-03-15
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2078
en_US
Studia theodisca IV (1997) - The Entire Volume
oai:ojs.riviste.unimi.it:article/2079
2019-11-06T18:13:41Z
StudiaTheodisca:VOL
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2079
2019-11-06T18:13:41Z
Milano University Press
V. 5 (1998): Studia theodisca V (1998); 1-280
Studia theodisca V (1998)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2012-03-15
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2079
en_US
Studia theodisca V (1998) - The Entire Volume
oai:ojs.riviste.unimi.it:article/2080
2019-11-06T18:13:58Z
StudiaTheodisca:VOL
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2080
2019-11-06T18:13:58Z
Milano University Press
V. 6 (1999): Studia theodisca VI (1999); 1-278
Studia theodisca VI (1999)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2012-03-15
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2080
en_US
Studia theodisca VI (1999) - The Entire Volume
oai:ojs.riviste.unimi.it:article/2081
2019-11-06T18:14:17Z
StudiaTheodisca:VOL
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2081
2019-11-06T18:14:17Z
Milano University Press
V. 7 (2000): Studia theodisca VII (2000); 1-268
Studia theodisca VII (2000)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2012-03-15
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2081
en_US
Studia theodisca VII (2000) - The Entire Volume
oai:ojs.riviste.unimi.it:article/2082
2019-11-06T18:15:08Z
StudiaTheodisca:VOL
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2082
2019-11-06T18:15:08Z
Milano University Press
V. 8 (2001): Studia theodisca VIII (2001); 1-190
Studia theodisca VIII (2001)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2012-03-15
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2082
en_US
Studia theodisca VIII (2001) - The Entire Volume
oai:ojs.riviste.unimi.it:article/2083
2019-11-06T18:15:43Z
StudiaTheodisca:VOL
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2083
2019-11-06T18:15:43Z
Milano University Press
V. 9 (2002): Studia theodisca IX (2002); 1-236
Studia theodisca IX (2002)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2012-03-15
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2083
en_US
Studia theodisca IX (2002) - The Entire Volume
oai:ojs.riviste.unimi.it:article/2084
2019-11-06T18:16:31Z
StudiaTheodisca:VOL
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2084
2019-11-06T18:16:31Z
Milano University Press
V. 10 (2003): Studia theodisca X (2003); 1-222
Studia theodisca X (2003)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2012-03-15
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2084
en_US
Studia theodisca X (2003) - The Entire Volume
oai:ojs.riviste.unimi.it:article/2085
2019-11-06T18:17:12Z
StudiaTheodisca:VOL
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2085
2019-11-06T18:17:12Z
Milano University Press
V. 11 (2004): Studia theodisca XI (2004); 1-222
Studia theodisca XI (2004)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2012-03-15
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2085
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Studia theodisca XI (2004) - The Entire Volume
oai:ojs.riviste.unimi.it:article/2086
2019-11-06T18:17:45Z
StudiaTheodisca:VOL
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2086
2019-11-06T18:17:45Z
Milano University Press
V. 12 (2005): Studia theodisca XII (2005); 1-188
Studia theodisca XII (2005)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2012-03-15
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2086
en_US
Studia theodisca XII (2005) - The Entire Volume
oai:ojs.riviste.unimi.it:article/2087
2019-11-06T18:18:05Z
StudiaTheodisca:VOL
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2087
2019-11-06T18:18:05Z
Milano University Press
V. 13 (2006): Studia theodisca XIII (2006); 1-222
Studia theodisca XIII (2006)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2012-03-15
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2087
en_US
Studia theodisca XIII (2006) - The Entire Volume
oai:ojs.riviste.unimi.it:article/2088
2019-11-06T18:18:25Z
StudiaTheodisca:VOL
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2088
2019-11-06T18:18:25Z
Milano University Press
V. 14 (2007): Studia theodisca XIV (2007); 1-192
Studia theodisca XIV (2007)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2012-03-15
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2088
en_US
Studia theodisca XIV (2007) - The Entire Volume
oai:ojs.riviste.unimi.it:article/2089
2019-11-06T18:18:43Z
StudiaTheodisca:VOL
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2089
2019-11-06T18:18:43Z
Milano University Press
V. 15 (2008): Studia theodisca XV (2008); 1-192
Studia theodisca XV (2008)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2012-03-15
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2089
en_US
Studia theodisca XV (2008) - The Entire Volume
oai:ojs.riviste.unimi.it:article/2090
2019-11-06T18:19:02Z
StudiaTheodisca:VOL
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2090
2019-11-06T18:19:02Z
Milano University Press
V. 16 (2009): Studia theodisca XVI (2009); 1-192
Studia theodisca XVI (2009)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2012-03-15
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2090
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Studia theodisca XVI (2009) - The Entire Volume
oai:ojs.riviste.unimi.it:article/2091
2019-11-06T18:19:22Z
StudiaTheodisca:VOL
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2091
2019-11-06T18:19:22Z
Milano University Press
V. 17 (2010): Studia theodisca XVII (2010); 1-192
Studia theodisca XVII (2010)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2012-03-15
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2091
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Studia theodisca XVII (2010) - The Entire Volume
oai:ojs.riviste.unimi.it:article/2092
2016-10-26T13:32:26Z
StudiaTheodisca:VOL
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2092
2016-10-26T13:32:26Z
Milano University Press
Studia theodisca – Novalis (2002); 1-188
Studia theodisca – Novalis (2002)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2012-03-15
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2092
en_US
Studia theodisca – Novalis (2002). The Entire Volume
oai:ojs.riviste.unimi.it:article/2093
2016-10-26T13:32:19Z
StudiaTheodisca:VOL
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2093
2016-10-26T13:32:19Z
Milano University Press
Studia theodisca – Dal giornale al testo poetico – I «Berliner Abendblätter» di Heinrich von Kleist (2001); 1-240
Dal giornale al testo poetico – I «Berliner Abendblätter» di Heinrich von Kleist (2001)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2012-03-15
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2093
en_US
Studia theodisca – Dal giornale al testo poetico – I «Berliner Abendblätter» di Heinrich von Kleist (2001). The Entire Volume.
oai:ojs.riviste.unimi.it:article/2543
2019-11-06T18:20:14Z
StudiaTheodisca:CVR
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2543
2019-11-06T18:20:14Z
Milano University Press
V. 19 (2012): Studia theodisca XIX (2012); 1-4
Cover and Introductory Pages
Cercignani, Fausto; Università degli Studi di Milano, Italy
2012-11-22
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2543
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Studia theodisca, Vol 19 (2012) - Cover and Introductory Pages
oai:ojs.riviste.unimi.it:article/2545
2019-11-06T18:20:14Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2545
2019-11-06T18:20:14Z
Milano University Press
V. 19 (2012): Studia theodisca XIX (2012); 5-17
Thomas Mann: Ästhetizismus und die Denkstruktur des Einerseits-Andererseits – mit Bezug auf «Wälsungenblut»
Nehring, Wolfgang; University of California - Los Angeles, USA
2012-11-22
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2545
en_US
Thomas Mann is an author without a fixed point of view. When he discusses a problem he tends to opt for an «on the one hand – on the other hand». His novella Wälsungenblut is the epitome of aestheticism. How is this aestheticism portrayed? For once the author appears to be unfaithful to his typical way of thinking and to give way to satire. One of the most interesting aspects is how Richard Wagner’s Walküre is included in this argument.
oai:ojs.riviste.unimi.it:article/2546
2019-11-06T18:20:14Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2546
2019-11-06T18:20:14Z
Milano University Press
V. 19 (2012): Studia theodisca XIX (2012); 19-37
Migrations and Diasporas. German Writers in Mexican Exile. Egon Erwin Kisch’s and Anna Seghers’ Promotion of Cross-Cultural Understanding
Michaels, Jennifer E.; Grinnell College, Iowa (USA)
2012-11-22
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2546
en_US
The journalist and popular travel writer, Egon Erwin Kisch, and the well-known novelist and short story writer Anna Seghers were among the many left wing and communist intellectuals for whom Mexico was a haven during the Hitler years. Kisch traveled extensively in Mexico, immersed himself in its history and culture and interpreted Mexico for the other German exiles. On her return from exile Seghers became an important mediator in the GDR of Mexican and South American culture and a strong voice for crosscultural understanding
oai:ojs.riviste.unimi.it:article/2547
2019-11-06T18:20:14Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2547
2019-11-06T18:20:14Z
Milano University Press
V. 19 (2012): Studia theodisca XIX (2012); 39-69
Lo sguardo di Saturno. Critica della modernità e regimi scopici in «Die Ringe des Saturn» di W. G. Sebald
Ribatti, Nicola; Università degli Studi di Siena, Italy
2012-11-22
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2547
en_US
Following the footsteps of Horkheimer and Adorno’s Dialektik der Aufklärung, W. G. Sebald’s Die Ringe des Saturn develops a particular indictment of Enlightenment rationality, which manifests itself primarily as a critical examination of the three most prominent “scopic regimes” of the modern era: the “Cartesian Perspectivalism”, the “Descriptive paradigm” of Dutch seventeenth-century Art, and the “Baroque” visual culture. The critical exploration of these visual strategies stands in as representative for wide epistemological problems related to the rational ordering and organization of human thought and knowledge.
oai:ojs.riviste.unimi.it:article/2548
2019-11-06T18:20:14Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2548
2019-11-06T18:20:14Z
Milano University Press
V. 19 (2012): Studia theodisca XIX (2012); 71-92
Liebe/Inzest: Zur kulturellen Kodierung von Sexualität Dargestellt am Beispiel von J. M. R. Lenz’ Komödie «Der neue Menoza»
Djoufack, Patrice; Leibniz Universität Hannover, Germany
2012-11-22
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2548
en_US
In his comedy «Der neue Menoza», J. M. R. Lenz uses a love story between an exotic prince and a young German woman to simulate and debate a form of sexuality which the Bible disqualifies as incestuous. Inscribing a theological exegesis of incest as intertext in his framework, Lenz demonstrates the possibility of shifting this biblical taboo. Taking this perspective as the starting point of my investigation, I regard incest as a cultural construction. In the light of two contemporary discourses, the article points at the abrogation of the incest taboo by means of a re-writing of the biblical prohibition to be a sensitive issue in the cultural debate on sexuality.
oai:ojs.riviste.unimi.it:article/2549
2019-11-06T18:20:14Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2549
2019-11-06T18:20:14Z
Milano University Press
V. 19 (2012): Studia theodisca XIX (2012); 93-111
Per una lettura “begriffsgeschichtlich” della categoria di Gestalt. Le traduzioni di Stefan George dalla «Divina Commedia»
Pirro, Maurizio; Università degli Studi di Bari Aldo Moro, Italy
2012-11-22
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2549
en_US
In the George-Kreis the category of “Gestalt” is often employed as a hermeneutic criterion for the interpretation of great authors of the past. Starting from the presence of the term “Gestalt” at various places in George’s translations from the Divina Commedia, which accompanied his poetic work for a long time, this article aims at reconstructing the way in which the paradigm of “Gestalt” fluctuates between the fields of historiographic inquiry and literary invention.
oai:ojs.riviste.unimi.it:article/2550
2019-11-06T18:20:14Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2550
2019-11-06T18:20:14Z
Milano University Press
V. 19 (2012): Studia theodisca XIX (2012); 113-129
Eine frühe mediale Beschäftigung mit der Genderproblematik aus der Männerperspektive – zu Herbert Grönemeyers Popsongtext «Männer» und seinen Folgen
Giessen, Hans W.; University College of Social Sciences, Poland
2012-11-22
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2550
en_US
Pop songs can be used as semiotic signs to give insight into public opinion simply because they have to prove themselves successfull in a commercial environment: they should reflect, not contradict, the general attitudes of the song’s buyers. In this article I will refer to the song «Männer» by Herbert Grönemeyer, questioning whether its text really breaks with traditional role models. I come to a somewhat qualifying answer. However, especially since Grönemeyer does not contradict the old role model, he seems to be credible when he ignores it in his later song «Mensch».
oai:ojs.riviste.unimi.it:article/2551
2019-11-06T18:20:14Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2551
2019-11-06T18:20:14Z
Milano University Press
V. 19 (2012): Studia theodisca XIX (2012); 131-166
Uno spazio tutto per sé. La poetica degli «Ingolstädter Stücke» dal punto di vista di Marieluise Fleißer
Buglioni, Chiara Maria; Università degli Studi di Milano, Italy
2012-11-22
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2551
en_US
Although the Fleißer-Forschung has always emphasized the link between Marieluise Fleißer and the strong personalities she worked with in the Weimar period, little attention has been paid to her active role as a playwright. This paper aims to demonstrate the original value of Fleißer’s artistic project by adopting Pierre Bourdieu’s theory of cultural production. The analysis of Fleißer’s “position-takings” in the Ingolstädter Stücke unravels the personal viewpoint from which her aesthetic choices are defined, as well as the “differential signification” of her poetics within the literary field.
oai:ojs.riviste.unimi.it:article/2552
2019-11-06T18:20:14Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2552
2019-11-06T18:20:14Z
Milano University Press
V. 19 (2012): Studia theodisca XIX (2012); 167-178
Malicious Dwarfs, Fair Nymphs, Heroic Gods. Application and Transformation of Germanic Mythology in Richard Wagner’s libretto «The Rhinegold»
Blawid, Martin; Independent Researcher, Germany
2012-11-22
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2552
en_US
According to Joachim Heinzle, the Nibelungensage represents the «most German among all German issues». The following essay seeks to analyze in how far the German composer Richard Wagner resorts either to a more traditional or to a more innovative representation of the Germanic influences in his libretto The Rhinegold, which is the opening part of his operatic tetralogy The Ring of the Nibelungen. Moving from an epistemological basis, the libretto will be examined with a special focus on how Wagner applies and transforms Germanic mythology in terms of the characters and of deictic references.
oai:ojs.riviste.unimi.it:article/2553
2019-11-06T18:20:14Z
StudiaTheodisca:CfP
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2553
2019-11-06T18:20:14Z
Milano University Press
V. 19 (2012): Studia theodisca XIX (2012); 179
Call for Papers
Cercignani, Fausto; Università degli Studi di Milano, Italy
2012-11-22
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2553
en_US
Studia theodisca XIX (2012) - Call for Papers
oai:ojs.riviste.unimi.it:article/2555
2019-11-06T18:20:14Z
StudiaTheodisca:VOL
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2555
2019-11-06T18:20:14Z
Milano University Press
V. 19 (2012): Studia theodisca XIX (2012); 1-180
Studia theodisca XIX (2012)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2012-11-22
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2555
en_US
Studia theodisca XIX (2012) - The Entire Volume
oai:ojs.riviste.unimi.it:article/2556
2019-11-06T18:20:14Z
StudiaTheodisca:Img
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2556
2019-11-06T18:20:14Z
Milano University Press
V. 19 (2012): Studia theodisca XIX (2012)
Cover for Vol 19
Cercignani, Fausto; Università degli Studi di Milano, Italy
2012-11-22
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/2556
en_US
Studia theodisca, Cover for Vol 19 (2012)
oai:ojs.riviste.unimi.it:article/3289
2019-11-06T18:21:13Z
StudiaTheodisca:CVR
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3289
2019-11-06T18:21:13Z
Milano University Press
V. 20 (2013): Studia theodisca XX (2013); 1-4
Cover and Introductory Pages
Cercignani, Fausto; Università degli Studi di Milano, Italy
2013-11-08
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3289
en_US
Studia theodisca, Vol 20 (2013) - Cover and Introductory Pages
oai:ojs.riviste.unimi.it:article/3290
2019-11-06T18:21:13Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3290
2019-11-06T18:21:13Z
Milano University Press
V. 20 (2013): Studia theodisca XX (2013); 5-21
Theodor Storms Erstlingsnovelle «Marthe und ihre Uhr» (1847)
Hertling, G. H.; University of Washington, WA (USA)
2013-11-08
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3290
en_US
This article intends to fill the previous void of a thorough critical assessment and interpretive analysis of Theodor Storm’s first novellistic, albeit concise narrative of 1847. As an aesthetic and highly symbolic story, Marthe’s seemingly timeless table clock bears some striking affinities with Eduard Mörike’s objet d’art of 1838, his «Lampe». As an ardent admirer of his contemporary Mörike, Storm here lays his theoretical and artistic foundations for his major novellas of later years.
oai:ojs.riviste.unimi.it:article/3291
2019-11-06T18:21:13Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3291
2019-11-06T18:21:13Z
Milano University Press
V. 20 (2013): Studia theodisca XX (2013); 23-28
Hofmannsthal, Rückert und Rūmī – zum Ghasel «Für Mich ...»
Zanucchi, Mario; Albert-Ludwigs-Universität Freiburg, Germany
2013-11-08
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3291
en_US
The following paper analyses Hugo von Hofmannsthal’s ghazal «Für mich ...». It identifies for the first time Friedrich Rückert’s ghazal «Ich bin das Sonnenstäubchen ...» – an original poem only vaguely reminiscent of Djalāl-od-Dīn Rūmī’s Diwan – as the source of Hofmannsthal’s text. The comparison shows how Hofmannsthal introduces a pronounced metapoetic dimension while adapting distinguishing features of Rückert’s poem, such as the oxymoronic style and the recurrent use of the first person. In Hofmannsthal’s poem Rückert’s monistic merging of the self with nature gives way to an artistic re-shaping of everyday reality by the aesthete.
oai:ojs.riviste.unimi.it:article/3292
2019-11-06T18:21:13Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3292
2019-11-06T18:21:13Z
Milano University Press
V. 20 (2013): Studia theodisca XX (2013); 29-49
Impotent Masculinities in Frank Wedekind’s «Erdgeist»
Libbon, Stephanie E.; Kent State University, Ohio (USA)
2013-11-08
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3292
en_US
For most of recorded history, the study of impotence fell under the purview of healers. This changed in the late nineteenth century, however, as the works of avant garde artists like the German dramatist and social critic Frank Wedekind ushered analyses of this malady into public discourse. In looking first at conditions in Europe during Wedekind’s time and then tracing the history of impotence from the Ancient Chinese up to Wedekind’s day, this article investigates how Wedekind’s representations of impotence emblematized not only his own personal afflictions but a greater cultural malaise.
oai:ojs.riviste.unimi.it:article/3293
2019-11-06T18:21:13Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3293
2019-11-06T18:21:13Z
Milano University Press
V. 20 (2013): Studia theodisca XX (2013); 51-63
«Vivere da soldato senza essere tale». Gli scritti di guerra di Thomas Mann
Tucci, Francesca; Università degli Studi di Palermo, Italy
2013-11-08
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3293
en_US
This essay examines the semantic area linked to military activity and in particular the conditions of the soldier in the essays written by Thomas Mann during the First World War. These reconstructions of a historical theme intermix with contributions about current public affairs, and have as their object the events linked to Germany’s entering the war and the general favour with which this was received. Moreover, warlike metaphors tend to slip comfortably into the profound core of Mann’s writing, since they lend themselves rather effectively to descriptions of the artist’s actual aptitudes and duties.
oai:ojs.riviste.unimi.it:article/3294
2019-11-06T18:21:13Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3294
2019-11-06T18:21:13Z
Milano University Press
V. 20 (2013): Studia theodisca XX (2013); 65-99
Die Kritik am romantischen Ideal in E. T. A. Hoffmanns «Der goldene Topf»
Rezai Dubiel, Jasmin Marjam; Johannes Gutenberg-Universität, Germany
2013-11-08
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3294
en_US
E. T. A. Hoffmann’s Der Goldene Topf portrays fantasy and the ideal of romantic aestheticism as utopian on a metafictional level. However, another possibility should be considered: the temporary contemplation within poetry compensates for the loss of belief in the poeticization of the world as conceived by Novalis. The artistic entity cannot immerse itself in the romantic ideal. Since the narrator becomes part of the story and a victim of his imagination, the narration presents a critical viewpoint of the concept of genius.
oai:ojs.riviste.unimi.it:article/3295
2019-11-06T18:21:13Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3295
2019-11-06T18:21:13Z
Milano University Press
V. 20 (2013): Studia theodisca XX (2013); 101-122
Das Thema “Altern” in Arno Geigers Roman «Alles über Sally»
Dackweiler, Meike; Heinrich-Heine-Universität Düsseldorf, Germany
2013-11-08
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3295
en_US
Alles über Sally (All about Sally) is the fifth novel of the successful Austrian author Arno Geiger. While it was both praised and criticized for being a contemporary adaption of the adultery novel, little importance was attached to the theme of ageing, which pervades the whole novel. Moreover, adulterous female characters over fifty are rare in contemporary German literature. Given these premises, this essay examines the composition of the ageing characters in the novel and provides a discussion of the social construction of images of ageing.
oai:ojs.riviste.unimi.it:article/3296
2019-11-06T18:21:13Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3296
2019-11-06T18:21:13Z
Milano University Press
V. 20 (2013): Studia theodisca XX (2013); 123-155
Il mito della “Rauchseele” in «Eli. Ein Mysterienspiel vom Leiden Israels» di Nelly Sachs
Serio, Marco; Università degli Studi di Trento, Italy
2013-11-08
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3296
en_US
This essay investigates the poetic strategies that Nelly Sachs introduces into her lyrical drama Eli in order to solve the problem of the ethical limitations of Holocaust literary representation in the post-Auschwitz world. Sachs rejects Adorno’s famous dictum and voices the “unspeakable” and the “unthinkable” through Romantic themes and the Jewish tradition. The shift from “visible” to “invisible” allows her to elaborate the Holocaust, to preserve collective memory, to confirm the destiny of the Jewish people, and to legitimate the role of literature after Auschwitz as a fusion of word and myth, functional to analyzing reality on a critical level.
oai:ojs.riviste.unimi.it:article/3297
2019-11-06T18:21:13Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3297
2019-11-06T18:21:13Z
Milano University Press
V. 20 (2013): Studia theodisca XX (2013); 157-189
Il muro del linguaggio. Echi di Wittgenstein e Lacan in «Spiegelland» di Kurt Drawert
Ribatti, Nicola; Università degli Studi di Siena, Italy
2013-11-08
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3297
en_US
In his essayistic novel Spiegelland. Ein deutsches Monolog (1992), Kurt Drawert engages in an intense criticism of the dictatorship in the former DDR, at fault for having reduced language to a tool for the control of conscience. This article seeks to demonstrate how Drawert’s criticism concerns not only the sphere of language, but also the sphere of the visual. Thus photography, for example, is affected in the same way as language by that “illusion of representation” in which the subject is caged. This article also seeks to show how Drawert’s language and image criticism is inspired by aspects of Lacan’s and Wittgenstein’s lines of thought.
oai:ojs.riviste.unimi.it:article/3298
2019-11-06T18:21:13Z
StudiaTheodisca:CfP
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3298
2019-11-06T18:21:13Z
Milano University Press
V. 20 (2013): Studia theodisca XX (2013); 191
Call for Papers
Cercignani, Fausto; Università degli Studi di Milano, Italy
2013-11-08
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3298
en_US
Studia theodisca XX (2013) - Call for Papers
oai:ojs.riviste.unimi.it:article/3299
2019-11-06T18:21:13Z
StudiaTheodisca:VOL
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3299
2019-11-06T18:21:13Z
Milano University Press
V. 20 (2013): Studia theodisca XX (2013); 1-192
Studia theodisca XX (2013)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2013-11-08
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3299
en_US
Studia theodisca XX (2013) - The Entire Volume
oai:ojs.riviste.unimi.it:article/3300
2019-11-06T18:21:13Z
StudiaTheodisca:Img
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3300
2019-11-06T18:21:13Z
Milano University Press
V. 20 (2013): Studia theodisca XX (2013)
Cover for Vol 20
Cercignani, Fausto; Università degli Studi di Milano, Italy
2013-11-08
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/3300
it_IT
Studia theodisca, Cover for Vol 20 (2013)
oai:ojs.riviste.unimi.it:article/4087
2016-10-26T13:33:20Z
StudiaTheodisca:CVR
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4087
2016-10-26T13:33:20Z
Milano University Press
Studia theodisca – Hölderliniana I (2014); 1-6
Cover and Introductory Pages
Cercignani, Fausto; Università degli Studi di Milano, Italy
2014-06-06
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4087
en_US
Studia theodisca – Hölderliniana I (2014): Cover and Introductory Pages
oai:ojs.riviste.unimi.it:article/4088
2016-10-26T13:33:20Z
StudiaTheodisca:FWD
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4088
2016-10-26T13:33:20Z
Milano University Press
Studia theodisca – Hölderliniana I (2014); 7-11
Premessa / Vorwort
Castellari, Marco; Università degli Studi di Milano, Italy
Polledri, Elena; Università degli Studi di Udine, Italy
2014-06-06
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4088
en_US
A bilingual foreword by the two volume editors, in which they briefly describe the threefold structure of this publication and trace its origins in the founding congress of the Italian section of the “Hölderlin-Gesellschaft”.
oai:ojs.riviste.unimi.it:article/4089
2016-10-26T13:33:20Z
StudiaTheodisca:
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4089
2016-10-26T13:33:20Z
Milano University Press
Studia theodisca – Hölderliniana I (2014); 15-19
Lettera al fratello Karl (I gennaio 1799). Traduzione di Elena Polledri
Hölderlin, Friedrich; Hölderlin-Gesellschaft, Germany
2014-06-06
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4089
en_US
Friedrich Hölderlin’s letter to his brother Carl (January 1st 1799), a major biographical and poetological document for scholars, in the very first Italian translation by Elena Polledri.
oai:ojs.riviste.unimi.it:article/4090
2014-06-09T18:10:01Z
StudiaTheodisca:TXT
oai:ojs.riviste.unimi.it:article/4091
2016-10-26T13:33:20Z
StudiaTheodisca:ESS
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4091
2016-10-26T13:33:20Z
Milano University Press
Studia theodisca – Hölderliniana I (2014); 37-51
Hölderlin, Subjektivität und Moderne
Kurz, Gerhard; Justus-Liebig-Universität Gießen, Germany
2014-06-06
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4091
en_US
Moving from Schiller’s rebuke about Hölderlin’s «wild subjectivity», the contribution briefly discusses this concept in a late 18th century context. Hölderlin’s poetry is then analyzed in the light of his modern understanding of subjectivity, with particular regard to the late hymns Remembrance and Mnemosyne.
oai:ojs.riviste.unimi.it:article/4092
2016-10-26T13:33:20Z
StudiaTheodisca:ESS
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4092
2016-10-26T13:33:20Z
Milano University Press
Studia theodisca – Hölderliniana I (2014); 53-70
Hölderlin – der Dichter des Dichters. Im Anhang: Grundzüge von Hölderlins Homburger Poetologie
Franz, Michael; Hölderlin-Gesellschaft, Germany
2014-06-06
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4092
en_US
Revising Heidegger’s dictum about Hölderlin being «the poet’s poet» and the philosopher’s remarks on the «essence» of poetry, the emphasis is shifted on the “method” of poetry, a crucial question for Hölderlin, which is here analyzed on the basis of his “Homburg poetology” (cfr. the table in the appendix) as well as of his poetry and prose.
oai:ojs.riviste.unimi.it:article/4093
2016-10-26T13:33:20Z
StudiaTheodisca:ESS
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4093
2016-10-26T13:33:20Z
Milano University Press
Studia theodisca – Hölderliniana I (2014); 71-84
Friedrich Hölderlins Italienbild: Ein Versuch
Reitani, Luigi; Università degli Studi di Udine, Italy
2014-06-06
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4093
en_US
This paper focuses on Hölderlin’s Italian imagery, which has scarcely been investigated in previous research. Both as a geographical and metaphorical locus and as a literary and linguistic reference, Italy emerges as being more intensely present in Hölderlin’s life and work than has hitherto been assumed.
oai:ojs.riviste.unimi.it:article/4094
2016-10-26T13:33:20Z
StudiaTheodisca:ESS
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4094
2016-10-26T13:33:20Z
Milano University Press
Studia theodisca – Hölderliniana I (2014); 85-108
L’utilità della poesia: la lettera di Hölderlin al fratello Karl del I gennaio 1799. Una proposta di lettura
Polledri, Elena; Università degli Studi di Udine, Italy
2014-06-06
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4094
en_US
After depicting the core function of correspondence for understanding Hölderlin, as well as contextualizing the letter to his brother Carl (January 1st 1799) in both his life and work, a close reading of this document focuses step by step on its political, philosophical and first and foremost poetological issues.
oai:ojs.riviste.unimi.it:article/4095
2016-10-26T13:33:20Z
StudiaTheodisca:ESS
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4095
2016-10-26T13:33:20Z
Milano University Press
Studia theodisca – Hölderliniana I (2014); 109-123
Cent’anni di consuetudine. Studi italiani su Hölderlin dal 1915 a oggi
Castellari, Marco; Università degli Studi di Milano, Italy
2014-06-06
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4095
en_US
Italian scholars have been reading Hölderlin since 1915. The present contribution outlines this century of literary and philosophical criticism, with its diverse stages and its connections to the parallel histories of Italian translations and transformations of Hölderlin’s work, up to the “new wave” in our millennium.
oai:ojs.riviste.unimi.it:article/4096
2016-10-26T13:33:20Z
StudiaTheodisca:ESS
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4096
2016-10-26T13:33:20Z
Milano University Press
Studia theodisca – Hölderliniana I (2014); 125-145
Ancora su Hölderlin e gli scrittori di lingua italiana (da Giosue Carducci a Fabio Pusterla). In appendice: Giosue Carducci: [Achille]. Ms. Casa Carducci, Bologna, Cart. II, 56, 1r.
Cordibella, Giovanna; Universität Bern, Switzerland
2014-06-06
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4096
en_US
A discussion of the long-term “Hölderlinism” of Italian poets, starting from Vigolo’s essay on Hölderlin and the music (1966), moving back to Carducci’s translations, with a critical edition of his version of Hölderlin’s Achill (1874, see the leaf reproduced in the appendix), and concluding with a look at later Italian poets up to Pusterla (2004).
oai:ojs.riviste.unimi.it:article/4097
2016-10-26T13:33:20Z
StudiaTheodisca:REV
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4097
2016-10-26T13:33:20Z
Milano University Press
Studia theodisca – Hölderliniana I (2014); 149-174
Reviews by Barbara Santini, Andrea Mecacci, Mariagrazia Portera, Francesca Zugno, and Alberto Ricci
Cercignani, Fausto; Università degli Studi di Milano, Italy
2014-06-07
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4097
en_US
Review of Daniele Goldoni’s book Gratitudine. Voci di Hölderlin (2013), by Barbara Santini.Review of Laura Anna Macor’s book La fragilità delle virtù. Dall’antropologia alla morale e ritorno nell’epoca di Kant (2011), by Andrea Mecacci.Review of the collection of essays Friedrich Hölderlin. Pensiero e poesia, ed. by Elena Polledri (special volume of the journal «Humanitas», 2012), by Mariagrazia Portera.Review of Barbara Santini’s book Soggetto e fondamento in Hölderlin tra filosofia trascendentale e pensiero speculativo (2013), by Francesca Zugno.Review of Francesca Zugno’s book Hölderlin oltre Kant. Verso Hyperion. 1794-1797 (2011), by Alberto Ricci.
oai:ojs.riviste.unimi.it:article/4098
2016-10-26T13:33:20Z
StudiaTheodisca:CfP
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4098
2016-10-26T13:33:20Z
Milano University Press
Studia theodisca – Hölderliniana I (2014); 175
Call for Papers
Cercignani, Fausto; Università degli Studi di Milano, Italy
2014-06-07
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4098
en_US
Studia theodisca – Hölderliniana I (2014): Call for Papers.
oai:ojs.riviste.unimi.it:article/4099
2014-06-09T18:28:46Z
StudiaTheodisca:VOL
oai:ojs.riviste.unimi.it:article/4100
2016-10-26T13:33:20Z
StudiaTheodisca:Img
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4100
2016-10-26T13:33:20Z
Milano University Press
Studia theodisca – Hölderliniana I (2014)
Cover for Studia theodisca – Hölderliniana I
Cercignani, Fausto; Università degli Studi di Milano, Italy
2014-06-07
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4100
en_US
Studia theodisca – Hölderliniana I (2014): Volume Cover.
oai:ojs.riviste.unimi.it:article/4103
2016-10-26T13:33:20Z
StudiaTheodisca:
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4103
2016-10-26T13:33:20Z
Milano University Press
Studia theodisca – Hölderliniana I (2014); 21-34
Quali musiche suonò Hölderlin? (28 aprile 1966). A cura di Giovanna Cordibella
Vigolo, Giorgio; Poeta romano, Italy
2014-06-09
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4103
en_US
Giorgio Vigolo’s lecture Quali musiche suonò Hölderlin? (Which Pieces of Music Did Hölderlin Play?), which the Italian poet held in Rome on April 28th 1966, here edited for the first time, with notes, by Giovanna Cordibella.
oai:ojs.riviste.unimi.it:article/4104
2014-12-04T18:40:49Z
StudiaTheodisca:VOL
oai:ojs.riviste.unimi.it:article/4393
2019-11-06T18:22:06Z
StudiaTheodisca:CVR
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4393
2019-11-06T18:22:06Z
Milano University Press
V. 21 (2014): Studia theodisca XXI (2014); 1-4
Cover and Introductory Pages
Cercignani, Fausto; Università degli Studi di Milano, Italy
2014-10-26
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4393
en_US
Studia theodisca, Vol 21 (2014) - Cover and Introductory Pages
oai:ojs.riviste.unimi.it:article/4394
2019-11-06T18:22:06Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4394
2019-11-06T18:22:06Z
Milano University Press
V. 21 (2014): Studia theodisca XXI (2014); 5-29
Polemische Transgression. Karl Kraus zwischen Schrift und Aktion
Rose, Dirk; Heinrich-Heine-Universität Düsseldorf, Germany
2014-10-26
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4394
en_US
This essay focuses on the medial transgression from the written word to action in the polemic writings of Karl Kraus. The manifestation of transgression in his polemical writings should be seen as a consequent mode which characterizes his concept of polemics, finally as a permanent excess of its own medial as well as conceptual requirements. In the second part, this essay discusses ethical and/or political problems that result from those modes of transgression, particularly in Kraus’ attitude towards the First World War and the Nazi regime.
oai:ojs.riviste.unimi.it:article/4396
2019-11-06T18:22:06Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4396
2019-11-06T18:22:06Z
Milano University Press
V. 21 (2014): Studia theodisca XXI (2014); 31-43
Un Woyzeck sui fronti del Novecento. «Eiche und Angora» di Martin Walser
Pirro, Maurizio; Università degli Studi di Bari Aldo Moro, Italy
2014-10-26
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4396
en_US
Martin Walser’s play Eiche und Angora (1962) deals with the persistence of totalitarianism-oriented mental structures after the Second World War and the collapse of the Nazi regime. Walser represents political history as strongly opposed to the private sphere of ordinary people. Adjustment to the post-war situation of the Bundesrepublik and continuity with the historical past are seen by Walser as equivalent forms of self-defense against the inhuman attitude of political power.
oai:ojs.riviste.unimi.it:article/4397
2019-11-06T18:22:06Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4397
2019-11-06T18:22:06Z
Milano University Press
V. 21 (2014): Studia theodisca XXI (2014); 45-73
Frühgealtert und spätgeboren. Richard Schaukals Dialog mit dem Dichterkreis des Jungen Wien
Mitterer, Cornelius; Ludwig Boltzmann Institut für Geschichte und Theorie der Biographie, Austria
2014-10-26
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4397
en_US
This article discusses the Austrian writer Richard Schaukal (1874-1942) and his artistic and personal relationship with the writers of the «Young Vienna» circle. Points of agreement and difference with Hermann Bahr, Karl Kraus, Hugo von Hofmannsthal and Arthur Schnitzler are at the centre of the analysis. The parallels with Hofmannsthal’s early work in particular will be shown by way of intertextual comparison. Drawing on these insights, the analysis seeks to situate Schaukal within the broader context of Viennese Modernism (c. 1890-1910).
oai:ojs.riviste.unimi.it:article/4398
2019-11-06T18:22:06Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4398
2019-11-06T18:22:06Z
Milano University Press
V. 21 (2014): Studia theodisca XXI (2014); 75-84
«Maria Antoniette» di Heinrich Heine: una «Historie» dalla «Matrazengruft»
Morenghi, Erminio; Independent Researcher, Italy
2014-10-26
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4398
en_US
This thematic and stylistic analysis of the poem Marie Antoinette by Heine, one of the Historien taken from the famous Romanzero (1851), seeks to highlight the eeriness of the ancien régime personified by the ghosts of the queen and her ladies in the Tuileries palace after the revolutions of 1830 and 1848. The politically disappointed poet blames the aristocracy for being still bound to the Etiquette and for preventing the necessary social reforms proposed by the prince. For Heine, the light of reason should exorcise the wandering ghosts of a disturbing past.
oai:ojs.riviste.unimi.it:article/4399
2019-11-06T18:22:06Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4399
2019-11-06T18:22:06Z
Milano University Press
V. 21 (2014): Studia theodisca XXI (2014); 85-127
“Ist es nicht ein finsterer Wald, in den wir gerieten?”. Waldgänge und Waldgänger in Maja Haderlaps Roman «Engel des Vergessens»
Prutti, Brigitte; University of Washington, WA (USA)
2014-10-26
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4399
en_US
This essay examines the literary portrait of the forested Southern Carinthian border region as a place of Austrian Slowenian historical experience and cultural memory in Maja Haderlap’s novel Engel des Vergessens. The autobiographical and documentary novel published in 2011 asks what it means to live on in a landscape contaminated by historical violence. At issue here is the novel’s representation of individual and collective Austrian Slowenian history in its depiction of the narrator’s forest walks as a child and the Carinthian Slowenian partisans’ life in the woods.
oai:ojs.riviste.unimi.it:article/4400
2019-11-06T18:22:06Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4400
2019-11-06T18:22:06Z
Milano University Press
V. 21 (2014): Studia theodisca XXI (2014); 129-151
Lesebühne Ost. Szene-Literatur zwischen DDR-Vergangenheit und wiedervereinigter Gegenwart
Rota, Andrea; Università degli Studi di Bergamo, Italy
2014-10-26
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4400
en_US
Against the informal backdrop of Berlin public-reading events (Berliner Lesebühnen) self-organised groups of German authors are participating in a literary (sub)culture, which especially since the second half of the 1990s has been flourishing in the booming East of the city, but still deserves to be properly explored. Focussing on Berlin public-reading events, this contribution aims to sketch out an underground literary-scene, in which writers grown up in the former GDR provide an unofficial view on and from (East) Germany.
oai:ojs.riviste.unimi.it:article/4401
2019-11-06T18:22:06Z
StudiaTheodisca:ART
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4401
2019-11-06T18:22:06Z
Milano University Press
V. 21 (2014): Studia theodisca XXI (2014); 153-174
«Tschuschen» und «Saujuden». Kultureller Identitätswandel in dem Roman «Zwischenstationen» von Vladimir Vertlib
Willeke, Stephanie; Universität Paderborn, Germany
2014-10-26
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url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4401
en_US
In his writings, Vladimir Vertlib focuses on topics such as being a stranger in a foreign country. In particular, his novel Zwischenstationen shows how binary oppositions like the ownness and otherness, as well as prejudices, have an impact on the identity of individuals. Taking into account theories of space originating from the spatial turn, this essay investigates the ways in which the protagonists of the novel change their identity. It will be argued that binary oppositions are always constructs which have to be critically examined.
oai:ojs.riviste.unimi.it:article/4402
2019-11-06T18:22:06Z
StudiaTheodisca:CfP
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4402
2019-11-06T18:22:06Z
Milano University Press
V. 21 (2014): Studia theodisca XXI (2014); 175
Call for papers
Cercignani, Fausto; Università degli Studi di Milano, Italy
2014-10-26
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4402
en_US
Studia theodisca XXI (2014) - Call for Papers
oai:ojs.riviste.unimi.it:article/4403
2019-11-06T18:22:06Z
StudiaTheodisca:VOL
v2
https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4403
2019-11-06T18:22:06Z
Milano University Press
V. 21 (2014): Studia theodisca XXI (2014); 1-176
Studia theodisca XXI (2014)
Cercignani, Fausto; Università degli Studi di Milano, Italy
2014-10-26
This journal allows the author(s) to hold the copyright without restrictions.This journal allows the author(s) to retain publishing rights without restrictions.
url:https://riviste.unimi.it/index.php/StudiaTheodisca/article/view/4403
en_US
Studia theodisca XXI (2014) - The Entire Volume
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