In a sort of slanting fashion, it was ‘love at first sight’. A Conversation with Iain Chambers

Autori/Autrici

Abstract

A conversation with Iain Chambers
(24th April, 2025)
by Ester Gendusa (Università degli Studi di Palermo) and Emanuele Monegato (Università degli Studi di Milano )

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Biografia autore/autrice

Ester Gendusa, University of Palermo

Ester Gendusa (MA, PhD) is a research fellow at the University of Palermo, where she teaches English language and translation. The author of the first Italian monograph focusing on Bernardine Evaristo’s literary production, Identità nere e cultura europea (2014), she has published extensively on post-colonial and (Black) British authors. Her most recent research interests lie in the interplay between language and power in contemporary multimodal discursive arenas, particularly in the representation of antinormative identities in news media as well as in British and American films.

Emanuele Monegato, University of Milan

Emanuele Monegato (PhD) explores English dynamite literature and post-9/11 fiction through the lens of Cultural Studies and complements his research interests with a growing focus on the didactics of Cultural Studies and teacher training, particularly within secondary and higher education contexts. He is co-editor of the textbook Letterature e culture inglesi. Temi e (con)testi dal XIX secolo a oggi (Pearson, 2024) with N. Vallorani and P. Caponi. He is currently teaching English language and literature at a secondary school in Milan and also serves as editor-in-chief of Altre Modernità, UNIMI, where he co-edited the 2017 issue Gli Studi Culturali e l’università italiana.

Riferimenti bibliografici

Baldwin, James. The Fire Next Time. Dial Press,1963.

Chambers, Iain. Urban Rhythms. Pop Music and Popular Culture. Palgrave Macmillan, 1985.

---. Popular Culture. The Metropolitan Experience. Routledge & Kegan Paul, 1986.

---. Mediterranean Crossings. The Politics of an Interrupted Modernity. Duke University Press, 2007.

Chambers, Iain, and Marta Cariello. The Mediterranean Question. Punctumbooks, 2025.

Edipo Re. Directed by Pier Paolo Pasolini. Arco Film, Somafis, 1967.

Gramsci, Antonio. Selections from the Prison Notebooks. Translated by Quintin Hoare and Geoffrey Nowell-Smith, International Publishers, 1971.

---. The Southern Question. Translated by Pasquale Verdicchio, Bordighera Press, 2015.

Hall, Stuart, et al. Policing the Crisis. Mugging, the State, and Law and Order. Macmillan, 1978.

Hoggart, Richard. Proletariato e industria culturale. Translated by Lidia Curti, Officina edizioni, 1970.

Kuhn, Thomas S. The Structure of Scientific Revolutions. University of Chicago Press, 1962.

Mitchell, Juliet. Women’s Estate. Penguin, 1971.

---. Psychoanalysis and Feminism. Pantheon, 1974.

One Plus One. Directed by Jean-Luc Godard. Cupid Productions, 1968.

Porcile. Directed by Pier Paolo Pasolini. Idi Cinematografica - I Film dell'Orso, 1969.

Teorema. Directed by Pier Paolo Pasolini. Bolognini e Rossellini, 1968.

The Wild Bunch. Directed by Sam Peckinpah. Warner Bros - Seven Arts, 1969.

Wilden, Anthony. System and Structure. Essays in Communication and Exchange. Barnes and Noble, 1972.

Williams, Raymond. Culture and Society, 1780-1950. Chatto & Windus, 1959.

Wollen, Peter. Signs and Meaning in the Cinema. BFI Silver, 1969.

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Pubblicato

2026-02-28

Come citare

Gendusa, Ester, e Emanuele Monegato. 2026. «In a Sort of Slanting Fashion, It Was ‘love at First sight’. A Conversation With Iain Chambers». Altre Modernità, febbraio, 17-33. https://riviste.unimi.it/index.php/AMonline/article/view/30938.

Fascicolo

2026: NUMERO SPECIALE: 10 e lode!

Sezione

Interviste Entrevistas Entretiens Interviews

Licenza

Creative Commons License

Questo lavoro è fornito con la licenza Creative Commons Attribuzione - Condividi allo stesso modo 4.0.