MEREU KEATING, C. ’The Italian Color’: Race, Crime Iconography and Dubbing Conventions in the Italian-language Versions of Scarface (1932). Altre Modernità, [S. l.], p. 107–123, 2016. DOI: 10.13130/2035-7680/6851. Disponível em: https://riviste.unimi.it/index.php/AMonline/article/view/6851. Acesso em: 16 ago. 2022.