The Work into the Open. Reading Mahler’s Novelistic Symphony
Musicologists would consider Gustav Mahler’s symphonies heterophonic, while literary scholars might read them as modern narratives that invite a myriad of interpretations. This road into the open is reflected in Arthur Schnitzler’s 1908 novel Der Weg ins Freie. The protagonist Georg von Wergenthin is a Mahlerian figure, enamored of Vienna but also in search of a way out. This paper is a comparative study of Mahler’s music in its dialogue with literature – from Dante and Goethe to D’Annunzio and Hofmannsthal – as well as their shared characteristics that come to shape fin-de-siècle Viennese modernity.
Studia austriaca (e-ISSN 2385-2925 | p-ISSN 1593-2508) by http://riviste.unimi.it/index.php/StudiaAustriaca/ is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
This journal allows the author(s) to hold the copyright without restrictions.
This journal allows the author(s) to retain publishing rights without restrictions.