The Work into the Open. Reading Mahler’s Novelistic Symphony
DOI:
https://doi.org/10.13130/1593-2508/13372Abstract
Musicologists would consider Gustav Mahler’s symphonies heterophonic, while literary scholars might read them as modern narratives that invite a myriad of interpretations. This road into the open is reflected in Arthur Schnitzler’s 1908 novel Der Weg ins Freie. The protagonist Georg von Wergenthin is a Mahlerian figure, enamored of Vienna but also in search of a way out. This paper is a comparative study of Mahler’s music in its dialogue with literature – from Dante and Goethe to D’Annunzio and Hofmannsthal – as well as their shared characteristics that come to shape fin-de-siècle Viennese modernity.
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Studia austriaca (e-ISSN 2385-2925 | p-ISSN 1593-2508) by http://riviste.unimi.it/index.php/StudiaAustriaca/ is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License.
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