Navigating Second Generation Memory and Auto/ biography in Home Video. A Video Collection of Hojda Stojka, Son of Artist and Survivor of the Porajmos Ceija Stojka

Autori/Autrici

  • Renée Winter Universität Wien, Austria

DOI:

https://doi.org/10.54103/1593-2508/20323

Abstract

This paper investigates home videos made by Hojda Stojka, the son of Ceija Stojka (1933-2013), artist and survivor of Auschwitz, Ravensbrück, and Bergen-Belsen. Based on a close reading of significant video sequences, a narrative interview with the videographer, and Ceija Stojka’s publications and films, it analyses how the auto/biographical videos relate to the persecution of the parents’ generation. The paper focuses on the importance of spaces like kitchens, cars and stages, on the value assigned to auto/biographical audiovisual recordings, and the recontextualization and integration of photographs and television recordings into the family memory.

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Pubblicato

2023-06-17

Come citare

Winter, R. (2023). Navigating Second Generation Memory and Auto/ biography in Home Video. A Video Collection of Hojda Stojka, Son of Artist and Survivor of the Porajmos Ceija Stojka. Studia Austriaca, 31, 5–27. https://doi.org/10.54103/1593-2508/20323

Fascicolo

V. 31 (2023): Studia austriaca XXXI (2023)

Sezione

Articles

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Copyright (c) 2023 Studia austriaca

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