Günter Brus’ «Zerreißprobe» und die Tradition christlicher Selbstopfer
DOI:
https://doi.org/10.13130/1593-2508/3027Abstract
This article addresses the relation of Zerreißprobe (1970), the last performance work of the Viennese Actionist Günter Brus, to the tradition of Christian self-sacrifice. Three aspects of this relation are given particular attention: the aestheticization of suffering, the representative function of sacrifice and the distinction between the dependent body and the postulate of free will.Downloads
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