Visualità e intermedialità in Hugo von Hofmannsthal
DOI:
https://doi.org/10.13130/1593-2508/4031Abstract
In Tod des Tizian (1892) the painted image and its verbal evocation carry out an important function of poetics. In this verse play, Titian’s last painting offers a new representation perspective, which to a certain extent invalidates his previous production. Hofmannsthal here deals with a theme deeply rooted in his aesthetic program. The impulse towards a form supported by a sort of reciprocal strengthening of life and art takes on an eminently ethic configuration in which the aesthetic individual rediscovers his specific duty.Downloads
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