Titania und ihr Meister. Epigonale Inszenierung und Habsburgischer Mythos in Elisabeth von Österreichs Lyrik
[Titania and her Master. Epigonous Self-Presentation and Habsburg Myth in the Poetry of Elisabeth of Austria]

Clemens Götze


This article offers an inventory of the rarely analyzed poetry of the mythical Austrian Empress and thereby shows the masterful self-presentation of a historically am­bivalent personality. Using selected poems, this article brings out Elizabeth’s appraisal of the contemporary court society, for which she often had only biting scorn. Her poetry reveals an almost religious veneration for Heinrich Heine and an almost subversive attitude towards the k.u.k. monarchy. It also illustrates Elizabeth’s literary strategy of dismantling a hated society, though its effect could also be interpreted to the contrary, i.e. as an unin­tended contribution of the opposition to the transfiguration of the Habsburg myth.

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e-ISSN 2385-2925 | p-ISSN 1593-2508
The header image is elaborated from a manuscript by Peter Handke (see current issue, p. 2)