Uno spazio tutto per sé. La poetica degli «Ingolstädter Stücke» dal punto di vista di Marieluise Fleißer

Authors

  • Chiara Maria Buglioni Università degli Studi di Milano, Italy

DOI:

https://doi.org/10.13130/1593-2478/2551

Abstract

Although the Fleißer-Forschung has always emphasized the link between Marieluise Fleißer and the strong personalities she worked with in the Weimar period, little attention has been paid to her active role as a playwright. This paper aims to demonstrate the original value of Fleißer’s artistic project by adopting Pierre Bourdieu’s theory of cultural production. The analysis of Fleißer’s “position-takings” in the Ingolstädter Stücke unravels the personal viewpoint from which her aesthetic choices are defined, as well as the “differential signification” of her poetics within the literary field.

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Published

2012-11-22