La ricezione produttiva contemporanea di Hölderlin: La performance poetico-biografica di Andrea Balzola (2012) e il film sperimentale «Hyperion» di Maria Giovanna Cicciari (2014)
DOI:
https://doi.org/10.13130/1593-2478/8061Abstract
This article examines Andrea Balzola’s cross-media performance Le voci del vulcano (2012), which is a computer based interactive video installation dedicated to Friedrich Hölderlin, and Maria Giovanna Cicciari’s Hyperion (2014), an experimental film inspired by the name-sake German novel, as exemplary documents of the productive reception of Hölderlin’s life and work in Italy today.Downloads
Published
Issue
Section
License
This journal allows the author(s) to hold the copyright without restrictions.
This journal allows the author(s) to retain publishing rights without restrictions.