Hölderlin, Subjektivität und Moderne
DOI:
https://doi.org/10.13130/1593-2478/4091Abstract
Moving from Schiller’s rebuke about Hölderlin’s «wild subjectivity», the contribution briefly discusses this concept in a late 18th century context. Hölderlin’s poetry is then analyzed in the light of his modern understanding of subjectivity, with particular regard to the late hymns Remembrance and Mnemosyne.Downloads
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