The essay reads Noi by Alessandro Broggi as a device for first-person plural experience. By configuring the ecology of a “we” that is formed while walking, the landscape is not a backdrop but a medium for an immersive experience in which the characters are distracted, dispersed, and resonate. Broggi’s micro-sampling writing – some sources of which can be identified in the ecology of perception, enactivism, and post-humanism – functions here as a form of exaptation and reuse, while affordances and ecological resonance emerge between possibilities and bodily constraints. Finally, dispersion opens up a dyschronia that exposes a melancholic subjectivity: disidentification, but never full fusion, in the song of disappearance, where the I/we faces more-than-human continuity.