This article aims to verify Alessandro Broggi's claims regarding the presence of “two trilogies” in his work (Coffee Table, Servizio di Realtà, and Avventure minime is considered a “trilogia destruens”; while Noi, Sì, and Idillio are meant as “trilogia construens”). Alternating formal analysis with considerations on the internal logic of the books and the themes addressed, this contribution identifies both elements of continuity and differences between Broggi's books. It focuses on Avventure minime, Noi, and Sì.