This article focuses on the beginning of Calvino’s career as a writer and suggests that some of his earlier short stories should be considered modernist texts. We can indeed observe a strong influence of modernist novelists, poets, and philosophers on his unpublished apologues written before World War II, as well as on a group of three short stories on the Resistance written in 1945 – specifically, on Angoscia in caserma, the case study considered here. However, Calvino rethinks this initial phase of his career in the years that follow and removes the modernist short stories about his experience of the Resistance in the subsequent editions of Ultimo viene il corvo.