Issues of Participatory Digital Theatre. Reflections on Three Forms Developed during the Pandemic

Autori

  • Eliane Beaufils Université Paris 8

DOI:

https://doi.org/10.54103/2039-9251/16933

Parole chiave:

Participatory art, Zoom Theatre, Criticality, Experience, Imagination

Abstract

This article studies three participatory theatre-forms on zoom. It aims at analyzing what kind of participation is possible in the space of video-conferencing, which is both located in a private room and at a distance. These theatres seem able to interpellate the audience on a cognitive as well as a social and even an affective level. Each apparatus focuses on a different dimension, be it imagination, empathy or criticality. Yet the interactions result in an experience that is anchored in the social and sensitive subjectivity. The enable the audience to reflect on an array of issues that are far from limited to the pandemic.

Riferimenti bibliografici

Agamben, G., What is an Apparatus? And other Essays, Stanford University Press, Stanford 2009.

Böhme, G., Atmosphere as the Fundamental Concept of a New Aesthetics, in “Thesis Eleven”, 36, pp.113-126.

Breithaupt, F., Kulturen der Empathie, Suhrkamp, Frankfurt 2009.

Derrida, J., Plato’s Pharmacy, in B.Johnson (ed.), Dissemination, University of Chicago Press, 1981, pp. 61-171.

Eaglemann, D., Incognito: The secret Lives of the Brain, Canongate Books, 2012.

Jaquet, C., Philosophie de l'odorat, PUF, Paris 2010.

Müller-Schöll, N., conference at Tanzquartier Wien, December 2016, https://mediathek.tqw.at/tanzquartier-wien-online-archiv?tx_tqwmediathek_pi1%5Baction%5D=detail&tx_tqwmediathek_pi1%5Bcontroller%5D=Video&tx_tqwmediathek_pi1%5Bvideo%5D=716&cHash=884f543410b4ac95c11e095ef1e1d71a (14/04/2021)

Patoine, P.-L., Representation and Immersion. The Embodied Meaning of Literature, in “Gestalt Theory.An International Multidisciplinary Journal”, 41/2, pp. 201-216 https://content.sciendo.com/view/journals/gth/41/2/article-p201.xml?rskey=ucUD9a&result=9. (14/05/2021)

Rebentisch, J., Forms of Participation in Art, in “Qui Parle”, 23/2, 2015, pp. 29-54.

Roselt, J., Phänomenologie des Theaters, Wilhelm Fink, Stuttgart 2008.

Schmitz, H., Atmospheric Spaces/ Espaces atmosphériques, in “Ambiances, International Journal of Sensory Environment, Architecture and Urban Space”, transl. by Margret Vince, 2016, https://journals.openedition.org/ambiances/711 (14/05/2021).

Truong, M-X., Nature réelle et nature virtuelle. La réactivation artificielle du lien perdu, in C. Fleury, A-C. Prévot (ed.), Le souci de la nature, CNRS Éditions, Paris 2017, pp. 207-218.

Zhong, E., La communauté de singularités : réinventer le commun dans l’art participatif britannique (1997-2015), PhD December 4th 2015, at the Institut d’Études Politiques, Paris.

Pubblicato

2021-12-29