Cosmopolitan and Vernacular: Petrarch at Sea
Lucio Fontana, "Concetto Spaziale", 1968, idropittura su tela, 73 x 92 cm., cat. gen. 68 B 16, © Fondazione Lucio Fontana, Milano
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Keywords

Petrarch
Latin
Italian
Venice
Adorno

How to Cite

MalletteK. (2015). Cosmopolitan and Vernacular: Petrarch at Sea. Interfaces: A Journal of Medieval European Literatures, (1), 265-290. https://doi.org/10.13130/interfaces-4931

Abstract

Casual readers and scholars alike celebrate Petrarch’s Rerum vulgarium fragmenta (RVF) as an early masterpiece of vernacular lyric. Yet Petrarch directed most of his professional energies as writer to Latin composition, in the belief that Latin was the language of his most important literary models and of the literary future. This essay studies Petrarch’s life – in particular, episodes revealing his conflicted attitudes toward the sea and especially toward travel by ship – in order to comment on his attitude toward the language of literature: his respect for Latin, his enduring affection for Italian, and his work on the vernacular lyrics at the very end of his life. The essay uses Theodor Adorno’s formulation of late style (Adorno used this concept to discuss the late work of composers, in particular Beethoven) to describe Petrarch’s late work on the RVF in his last years. It argues that Petrarch’s turn to the vernacular in his final years should be read as a kind of linguistic experimentalism – fragmentary and catastrophic, as Adorno would describe it, rather than sweet, unified and harmonic – made possible when Petrarch is no longer using Latin to think about literary posterity.
https://doi.org/10.13130/interfaces-4931
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