Abstract

Although pornographic photographs can reveal the impact of the photographic medium on sexuality and its imaginaries, they have barely been considered as sources or themes in historical research. Considering the context of late 19th-century and early 20th-century Italy, this article explores photography’s central role in disseminating pornographic material, its close link to shaping the definition of pornography itself, and its impact on redefining sexual imaginaries. The first part of the article provides an overview of the history of the Italian debate on pornography and the political responses to this phenomenon. It focuses particularly on the role of photography in these events and in shaping this context. Between the late 19th century and the years of the Great War, in fact, pornography became a serious topic of public debate in Italy and many other European countries. Many associations and politicians participated in anti-pornography movements while photography and postcards became the most popular and accessible medium for sharing images. The second part of the article explores pornographic imagery widely represented in photographs, particularly that depicting lesbianism and zoophilia. It compares this imagery with that found in other cultural productions dealing with sexuality, such as literature, visual arts, and scientific publications circulating in Italy. This article is based on archival sources, including police reports on pornographic materials, journal articles, and moralistic and scientific writings published in Italy during the analyzed decades.