Baby 8mm e Super8. L'immagine del bambino al mare nelle pellicole del passo ridotto tra gli anni Cinquanta e gli anni Settanta

Autores/as

DOI:

https://doi.org/10.13130/2532-2486/11880

Palabras clave:

home movies, amateur film-making, children, Italian cinema

Resumen

During the second half of the 20th century, and especially in the 1960s, there was a veritable competition among Italians to achieve “symbols of well-being”, which included beach holidays and the practice of amateur film-making.
Home movies from the mid-fifties and seventies give rise to a totalizing image of the child, in the absence of whom the family seems to lose interest in recording the holidays at all, to the extent that fathers, mothers and grandparents appear almost exclusively in order to accompany and showcase the little ones.

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Biografía del autor/a

  • Elisa Bianchi, University of Florence
    Addottorata presso il dipartimento Sagas. Dottorato di ricerca in Storia delle Arti e dello Spettacolo SSD L-ART/06 CINEMA, FOTOGRAFIA E TELEVISIONE. Tutor Prof.ssa Cristina Jandelli

Publicado

2020-01-27

Número

Sección

Monografico / Special Issue

Cómo citar

Baby 8mm e Super8. L’immagine del bambino al mare nelle pellicole del passo ridotto tra gli anni Cinquanta e gli anni Settanta. (2020). Schermi. Storie e culture del cinema e dei media in Italia, 3(6), 53-79. https://doi.org/10.13130/2532-2486/11880