Did he live up to what he promised? Theory and Practice of the Gimmick in Dennis Cooper’s The Sluts
DOI:
https://doi.org/10.54103/2282-0035/29388Keywords:
Dennis Cooper, The Sluts, gimmick, queer theory, Leo BersaniAbstract
This paper aims to read Dennis Cooper’s The Sluts through the theoretical lens of the gimmick, understood as an aesthetic judgment grounded in social detachment, following Sianne Ngai’s definition, and brings it into dialogue with Leo Bersani’s reflections on negativity and the antisocial dimension of homosexual desire. Set in early-2000s online forums, the novel stages a chorus of anonymous voices obsessed with Brad, a young hustler who becomes at once the object of lust, evaluation, and suspicion for the whole users community. By analyzing the characters’ discursive practices, it explores the tensions between anonymity and visibility inherent in queer culture in the digital age. Finally, the paper compares Cooper’s book with Stephen van Dyck’s memoir People I’ve Met From the Internet, showcasing different approaches to representing identity and community in online contexts.
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