Where East Meets West: Cultivating a Cosmopolitan London in the 1920s

Autori

  • Christina Hink King’s College London

DOI:

https://doi.org/10.13130/2035-7680/10822

Parole chiave:

Cosmopolitanism, film

Abstract

This paper addresses the transmutable nature of London’s cosmopolitan status in 1920s society and culture. It specifically examines the literary and filmic iterations of Wonderful London, which have often been overlooked by historians, juxtaposed with contemporary primary sources. The inter-textual exploration reveals both explicit and implicit ways in which London was depicted as an ideal metropolitan society. I argue that in 1920s British popular culture, a cosmopolitan London was generally perceived as propitious, although fears over miscegenation, immigration and a deeply engrained division between West and East London existed. While contemporary cosmopolitanism was rife with tensions, it was also celebrated and it was a blending of national and international elements that yielded London’s illustrious reputation.

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Biografia autore

Christina Hink, King’s College London

Christina Hink is a PhD candidate in the Film Studies Department at King’s College London. Her research explores British and American war films of the 1920s in relation to their historical and cultural contexts.

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Pubblicato

2018-11-30

Come citare

Hink, Christina. 2018. «Where East Meets West: Cultivating a Cosmopolitan London in the 1920s». Altre Modernità, n. 20 (novembre):38-52. https://doi.org/10.13130/2035-7680/10822.

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Sezione

Saggi Ensayos Essais Essays