Saggi Ensayos Essais Essays

Ground Zero/Fresh Kills: Cataloguing Ruins, Garbage, and Memory

Cinzia Scarpino

Abstract



The aim of this paper is to show how the rise and fall of the Twin Towers can be read in relation to the rise and fall of the Staten Island Fresh Kills landfill, how their destinies were entwined from the start, and how the immediate cultural response to the collapse of the former and the closing of the latter recurred to the form of catalogues of objects, words, and images. From this angle it will be possible to posit the events within a larger, if somewhat unusual, cultural frame encompassing the history of two different yet complementary symbols of New York up to 2001 (the WTC and Fresh Kills). From Don DeLillo’s Underworld (1997) and Falling Man (2007) through Holman, Steve Zeitlin e Joe Dobkin’s Crisis (2001-2002); from Art Spiegelman’s In the Shadows of No Tower (2004) to Artists Respond’s 9-11 (2002); from the New York Times to Bearing Witness to History, the 2003-2006 retrospective of the Smithsonian Museum, relevant collective or individual responses to the 2001 attacks took the form of a catalogue, a list, a vertical or horizontal juxtaposition of data, objects, and memories, evoking a suggestive parallel to the organizing principle of past relics collected in museums and garbage stratified in sanitary landfills.

Parole chiave

Ground Zero, Fresh Kills, cataloghi

Full Text

PDF


DOI: https://doi.org/10.13130/2035-7680/1306

NBN: http://nbn.depositolegale.it/urn%3Anbn%3Ait%3Aunimi-5974

Altre Modernità è indicizzato da: SCOPUS BASE DIALNET DOAJ PLEIADI  ROAD  ULRICH'S  ZDB  WORLDCAT ERIH PLUS MLA CIRC WEB OF SCIENCE ESCI EMERGING SOURCES CITATION INDEX LATINDEX

 

--------

Altre modernità/ Otras modernidades/ Autres modernités/ Other Modernities            ISSN 2035-7680 Università degli Studi di Milano

 

UNIMI, Dipartimento di Lingue e letterature straniere

UNIMI, Dipartimento di Scienze della Mediazione Linguistica e di Studi Interculturali

 

Licenza Creative Commons

Questa opera è pubblicata sotto Licenza Creative Commons.

 

Altre Modernità è partner di https://revistaslatinoamericanas.org