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Post-9/11 Discourses Of Threat And Constructions Of Terror In The Age Of Obama

Mary K. Bloodsworth-Lugo, Carmen R. Lugo-Lugo


We argue elsewhere (Bloodsworth-Lugo and Lugo-Lugo, 2010) that the G.W. Bush years displayed a consistent merger of discourse surrounding otherwise unrelated issues (for example, terrorism, Saddam Hussein, September 11, 2001, immigration, same-sex marriage).  This discourse served to construct and intertwine conceived international and domestic “terrorist” threats.  During Barack Obama’s campaign for the U.S presidency, post-9/11 American anxieties worked to render Obama himself into a threatening body through questions concerning his middle name (Hussein), his perceived religious affiliation, and his patriotism and citizenship.  
In the present paper, we argue that the post-9/11 language of “us versus them” (“Either you are with us, or you are with the terrorists” [Bush 2001]), delivered to the American public and international community to garner consent in the wake of the September 11, 2001 events, and transformed into public policy for the remainder of the G.W. Bush presidency, provided a lens through which Americans would continue to construct and perceive the world beyond the Bush administration.  Ideology surrounding “the War on Terror,” in particular, has either been resisted or co-opted and deployed by social agents in the aftermath of September 11, 2001.  We claim that in the age of Obama, Bush-generated discourse and ideology has been activated to continue and advance policies and practices aimed at identifying and containing “terrorist” threats.

Parole chiave

9/11 ; War on Terror ; immigration ; same-sex marriage ; Tea Party ; Obama administration

Full Text







Altre modernità/ Otras modernidades/ Autres modernités/ Other Modernities            ISSN 2035-7680 Università degli Studi di Milano


UNIMI, Dipartimento di Lingue e letterature straniere

UNIMI, Dipartimento di Scienze della Mediazione Linguistica e di Studi Interculturali


Licenza Creative Commons

Questa opera è pubblicata sotto Licenza Creative Commons.