Bachelard-Flocon, Paysages. Il mouvement – Forza, Provocazione, Volontà tra éléments e poésie

Autori

  • Valeria Chiore

DOI:

https://doi.org/10.13130/2035-7680/2406

Parole chiave:

Engraving, Movement, Flocon, Creative imagination, Materiality, Ontology

Abstract

“Le graveur est voué au mouvement” writes Bachelard, commenting in the sign of movement, the fifteen tables of the engraver Albert Flocon, in a work composed by four hands in 1950, along the thin threshold that unites and separates art and philosophy, thematizing the movement – main principle for the psyche, imagination and dream – such as strength, creation and will.

Particular thamatization, that if has amazing wealth of content, referring to the notions of  “will to power”, “creative imagination”, “provocation and promotion of materiality”, also acts as a bridge between two different formulations of the movement: on the one hand the elementalist movement, tied to air, water, earth and fire – Empedocle’s rizomata, as always, Aristotelian, beds as natural roots of natural feelings (this will be the case of Novalis, Poe, Nietzsche and Goethe, poets of air, water, fire, and earth, lords of the Tetravalent Doctrine of Poetic Temperaments); on the other hand a movement that, dropped from the material substrate, is a direct expression of the poetic word (this will be the case of flame or light in Novalis, or even the poetic du Phénix that cross, soaring, La Flamme d'une Chandelle or Fragments d'une Poétique du Feu).

Complex process, which, engaging psyche, imagination and art at first on the elements (Material Imagination of the Elements) – passing through the psychologistic relief of Freud, Jung and Desoille – places the movement in the point of articulation between two different ontologies: the ontology of elements and the ontology of poetry.

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Biografia autore

Valeria Chiore

Valeria Chiore è fondatrice di “bachelardiana”, rivista internazionale di Filosofia dell’Immaginazione ch’ella dirige dal 2006, membro del Gruppo di Ricerca sulle Forme Simboliche e sull’Immaginario dell’Università degli Studi di Napoli - L’Orientale, membro dell’Association des Amis de Gaston Bachelard, propone una ridefinizione dell’Immaginazione Materiale in quanto Immaginale, ontologia dell’Immaginazione Materiale.

A Bachelard, in particolare, la stessa ha dedicato la monografia Il Poeta, l’Alchimista, il Demone. Sulla Dottrina Tetravalente dei Temperamenti Poetici di Gaston Bachelard (Il Melangolo, Genova, 2004), l’edizione franco-italiana delle Causeries 1952-54 (Il Melangolo, Genova, 2005), l’Introduzione all’edizione bulgara de L’Air et les songes (Riva, Sofia, 2007).

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Pubblicato

2012-10-04

Come citare

Chiore, Valeria. 2012. «Bachelard-Flocon, Paysages. Il Mouvement – Forza, Provocazione, Volontà Tra éléments E poésie». Altre Modernità, ottobre, 76-88. https://doi.org/10.13130/2035-7680/2406.

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Sezione

Saggi Ensayos Essais Essays