Orientalizing Vietnam: The American Cold War, its “Problems” with Refugee Handicraft Artisans, and their Relationship to Barthes’s Mythology

Autori

  • Jennifer Way University of North Texas, USA

DOI:

https://doi.org/10.13130/2035-7680/2583

Parole chiave:

Vietnam, Orientalism, mythology, refugee, handicraft, salvage

Abstract

This paper examines discourses of orientalism narrating the political and cultural significance of representations of Vietnamese handicraft that the U.S. State Department’s International Cooperation Administration’s handicraft production and export program in Southeast Asia published in American craft, design and art journals and used in trade and department store exhibitions from 1955 to 1961. The American program to bring economic stability to the region developed in response to anxiety about the spread of communism in Southeast Asia, which intensified following the end of the first Indochina War, the French departing Vietnam in 1954 and Vietnam dividing at the 17th Parallel a year later.
At issue are the ways those who implemented the program narrated the Vietnamese handicraft artisans as problems by treating both their plight as political refugees fleeing from communist forces in the north and the vulnerability of their fledgling nation in the south to communism, as a Cold War American Orientalist tale of the U.S. salvaging Vietnam from political uncertainty including the destruction of its potential democracy and capitalism. To this point, the Orientalizing saturates Russel Wright’s article, “Gold Mine in Southeast Asia,” which overlays relationships of Western power and civilization as well as anthropological notions of salvage over references to the ways an ostensibly timeless albeit primitive culture of a non-western society (Vietnam) could maintain its essential identity by serving the needs of an overly industrialized one. Of particular interest are thematic correspondences between the Orientalist thrust of the American cultural diplomacy as evidenced in Wright’s article, and Roland Barthes’ early work, especially “Myth Today”.

Biografia autore

Jennifer Way, University of North Texas, USA

Jennifer Way is an Associate Professor of Art History at the University of North Texas, USA, where she teaches the history, historiography, theory, and methodology of art since 1900. Her recent publications include “Reading Psychological Atlas transnationally,” Visual Culture in Britain, Special Issue: Transnationalism and Visual Culture in Britain: Émigrés and Migrants, 2012, and “Back to the Future: Women Art Technology,” in Radhika Gajjala and Yeon Ju Oh, eds. Cyberfeminism 2.0 (Peter Lang, 2012). This essay represents a portion of Politics of Handicraft, a current book project that has been supported by a Terra Foundation for American Art Senior Fellowship, Smithsonian Institution, and Center for Craft, Creativity and Design research grant.

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Pubblicato

2012-11-29

Come citare

Way, Jennifer. 2012. «Orientalizing Vietnam: The American Cold War, Its “Problems” With Refugee Handicraft Artisans, and Their Relationship to Barthes’s Mythology». Altre Modernità, n. 8 (novembre):94-120. https://doi.org/10.13130/2035-7680/2583.

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Sezione

Saggi Ensayos Essais Essays