L’approdo al 'cinématographe' dell'ultimo Lyotard

Autori

  • Paola Fornara

DOI:

https://doi.org/10.13130/mde.v0i1.4547

Abstract

Cinema is a constant feature in the thinking of Jean-François Lyotard. The essay Acinema (1973) is his most known contribution to cinema, but if we stop here, we risk having a partial idea of the path of the philosopher totally linked to experimental film. After two decades, the analysis of Idea of a sovereign film (1995) helps us to find the acinema in the windows of sovereign realities opened inside narrative and representative movies.

Riferimenti bibliografici

BAZIN, André, Qu’est-ce que c’est le cinéma?, Cerf, Paris 1958; Che cosa è il cinema?, tr. it. di A. Aprà, Garzanti, Milano 1973.

DELEUZE, Gilles, Cinéma 1. L’image-mouvement, Minuit, Paris 1983; Cinema 1. L’immagine-movimento, tr. it. di J.-P. Manganaro, Ubulibri, Milano 1984.

—, Cinéma 2. L’image-temps, Minuit, Paris 1985; Cinema 2. L’immagine-tempo, tr. it. di L. Rampello, Ubulibri, Milano 1989.

DONIOL-VALCROZE, Jacques, GODARD, Jean-Luc, “Entretien avec Robert Bresson”, Cahiers du Cinéma, 104, 1960, pp. 3-9.

DURAFOUR, Jean-Michel, Jean-François Lyotard : questions au cinéma, PUF, Paris 2009.

DURAS, Marguerite, “La nuit du chasseur”, Cahiers du Cinéma, 312-313, 1980, pp. 60-63.

EIZYKMAN, Claudine, FIHMAN, Guy, “L’occhio di Lyotard, da ‘L’acinema’ al postmoderno” (2008), tr. it. di A. Bigini, aut aut, 338, 2008, pp. 42-72.

LYOTARD, Jean-François, “L’acinéma”, Revue d’Esthétique, 2-3-4, 1973, pp. 357-369, poi in Des dispositifs pulsionnels, Union Générale d’Editions, Paris 1973, pp. 53-69; “L’acinema”, tr. it. di M. Ferraris, in A partire da Marx e Freud, Multhipla, Milano 1979, pp. 233-246, e “L’acinema”, tr. it. di C. Tartarini, in AA.VV., Bellaria Film Festival. Anteprima per il cinema indipendente italiano, Comune di Bellaria, Bellaria 2003, pp. 75-81, poi in aut aut, 338, 2008, pp. 17-32.

—, “Idée d’un film souverain” (1995), in J.-F. Lyotard, Misère de la philosophie, Galilée, Paris 2000, pp. 211-221.

—, “Deux métamorphoses du séduisant au cinéma” (1979), in M. Olender, J. Sojcher, La Séduction, Aubier Montaigne, Paris 1980, pp. 93-100 ; “Due metamorfosi del seduttivo al cinema”, tr. it. di A. Bigini, aut aut, 338, 2008, pp. 33-41.

SCHRADER, Paul, Trascendental Style in Film: Ozu, Bresson, Dreyer, Da Capo Press, New York 1972.

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