L’approdo al 'cinématographe' dell'ultimo Lyotard
DOI:
https://doi.org/10.13130/mde.v0i1.4547Abstract
Cinema is a constant feature in the thinking of Jean-François Lyotard. The essay Acinema (1973) is his most known contribution to cinema, but if we stop here, we risk having a partial idea of the path of the philosopher totally linked to experimental film. After two decades, the analysis of Idea of a sovereign film (1995) helps us to find the acinema in the windows of sovereign realities opened inside narrative and representative movies.
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