Francesca Giuliani is a Research Fellow at the Department of Communication Studies, Humanities and International Studies (DISCUI) at the University of Urbino Carlo Bo, working within the PRIN–PNRR 2022 research project Cultural Welfare Ecosystems for Wellbeing: mapping semantics and practices, co-designing tools and raising awareness (PI R. Paltrinieri, University of Bologna). Her main research areas focus on performing arts, with particular attention to audiences, audience development, and liveness. She oversees audience and community engagement for L’arboreto Teatro Dimora and is the editor of the blog SguarDimora, where she documents the creative processes of artists in residence. She is the author of Comunità teatrali mediatizzate. Forme della partecipazione e spettatorialità nel progetto BAT–Bottega Amletica Testoriana (with L. Gemini and L. Giannini, 2024); Theatre without theatres: Investigating access barriers to mediatized theatre and digital liveness during the Covid-19 pandemic (with S. Brilli and L. Gemini, 2023); The reinvention of theatre space during Covid-19. Analysis of the Italian Case (with L. Gemini, S. Brilli and G. Boccia Artieri, 2023); and Sperimentazioni teatrali nell’ambiente virtuale: le creazioni digitali di Giacomo Lilliù / Collettivo Ønar (2023).
Lorenzo Giannini is an Associate Professor of Sociology of Culture and Communication in the Department of Communication, Humanities and International Studies (DISCUI) at the University of Urbino Carlo Bo, where he teaches Sociology of Consumption and Socialization and Cultural Processes. His research adopts a predominantly qualitative approach, with a focus on processes of participation and social inclusion. He is part of the Urbino research unit for the PRIN–PNRR 2022 project “Cultural Welfare Ecosystems for Wellbeing: Mapping Semantics and Practices, Co-designing Tools and Raising Awareness” (PI: R. Paltrinieri, University of Bologna). His recent publications include: “You’re Just Playing the Victim”: Online Grieving and the Non-use of Social Media in Italy, Social Media + Society, 8(4), 2022 (with F. Pasquali and R. Bartoletti); Cultural Welfare: A Scoping Review of Emerging Semantics and Widespread Practices, Comunicazioni sociali, X, 2025 (with G. Allegrini et al.).
This contribution investigates the role and transformative potential of artist residencies as liminal spaces that resist the productivist logics of contemporary performance and experiment with new forms of relation, creation, and community engagement. Far from being mere sites of artistic production, residencies are conceived as laboratories of sharing and co-creation, where embodiment and participant agency play a constitutive role in both artistic and social processes. The study focuses on Dies Irae. Concerto per donne e martelli, a seven-day residency at L’Arboreto – Teatro Dimora in Mondaino, led by performer Gloria Dorliguzzo and musician Gianluca Feccia. Through an ethnographic approach integrating observation, interviews, focus groups, and digital diaries via WhatsApp, the research examines the transformative dynamics emerging between artists, participants, and creative processes, showing how residency ecosystems enable new configurations of roles, power, and shared practice.
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