Fragmented Form and Spatiotemporal Experiences in Transnational Korean Women’s Poetry
DOI:
https://doi.org/10.54103/2037-2426/24020Parole chiave:
Fragmented Form, Prose Poetry, Korean poetry, Transnationalism, Spatiotemporality, Women's PoetryAbstract
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Choi, Don Mee. DMZ Colony. Wave Books, 2020.
Choi, Don Mee. Hardly War. Wave Books, 2016.
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Forché, Carolyn. “Introduction.” Against Forgetting: Twentieth-Century Poetry of Witness, W.W. Norton & Company, New York, 1993, pp. 29–47.
Hong, Cathy Park. Dance Dance Revolution: Poems. W.W. Norton & Company, 2008.
Hong, Cathy Park. Engine Empire. W.W. Norton & Company, 2013.
Horvath, Brooke. “The Prose Poem And The Secret Life Of Poetry.” The American Poetry Review, vol. 21, no. 5, 1992, pp. 11–14.
Lehman, David. “The Prose Poem: An Alternative to Verse.” The American Poetry Review, vol. 32, no. 2, 2003, pp. 45–49.
McAllister, Brian J. “Narrative in Concrete / Concrete in Narrative: Visual Poetry and Narrative Theory.” Narrative, vol. 22, no. 2, 2014, pp. 234–51.
Yoon, Emily Jungmin. A Cruelty Special to Our Species: Poems. Ecco, an Imprint of HarperCollins Publishers, 2019.
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Accettato 2025-01-23
Pubblicato 2025-03-11
