Fragmented Form and Spatiotemporal Experiences in Transnational Korean Women’s Poetry

Авторы

DOI:

https://doi.org/10.54103/2037-2426/24020

Ключевые слова:

Fragmented Form, Prose Poetry, Korean poetry, Transnationalism, Spatiotemporality, Women's Poetry

Аннотация

 

 

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Данные скачивания пока недоступны.

Библиографические ссылки

Choi, Don Mee. DMZ Colony. Wave Books, 2020.

Choi, Don Mee. Hardly War. Wave Books, 2016.

Choi, Don Mee. The Morning News Is Exciting. Action Books, 2010.

Forché, Carolyn. “Introduction.” Against Forgetting: Twentieth-Century Poetry of Witness, W.W. Norton & Company, New York, 1993, pp. 29–47.

Hong, Cathy Park. Dance Dance Revolution: Poems. W.W. Norton & Company, 2008.

Hong, Cathy Park. Engine Empire. W.W. Norton & Company, 2013.

Horvath, Brooke. “The Prose Poem And The Secret Life Of Poetry.” The American Poetry Review, vol. 21, no. 5, 1992, pp. 11–14.

Lehman, David. “The Prose Poem: An Alternative to Verse.” The American Poetry Review, vol. 32, no. 2, 2003, pp. 45–49.

McAllister, Brian J. “Narrative in Concrete / Concrete in Narrative: Visual Poetry and Narrative Theory.” Narrative, vol. 22, no. 2, 2014, pp. 234–51. DOI: https://doi.org/10.1353/nar.2014.0011

Yoon, Emily Jungmin. A Cruelty Special to Our Species: Poems. Ecco, an Imprint of HarperCollins Publishers, 2019.

Загрузки

Опубликован

2025-03-11

Как цитировать

Han, M. H.-I. (2025). Fragmented Form and Spatiotemporal Experiences in Transnational Korean Women’s Poetry. ENTHYMEMA<br>International Journal of Literary Criticism, Literary theory,<br>And Philosophy of Literature, (36), 258–269. https://doi.org/10.54103/2037-2426/24020

Выпуск

Раздел

ENN7 Rhythm, Spatiotemporal Experiences and Transnational Identities
Received 2024-07-03
Accepted 2025-01-23
Published 2025-03-11