Cars in Theatre, Theatre in Cars. A Case Study: Mobile Thriller
DOI:
https://doi.org/10.54103/2037-2426/24617Parole chiave:
Mobility Studies, Site-specific Performance, Edinburgh Fringe Festival, Theatre and Means of Transportation, Space and DramaturgyAbstract
This essay aims to provide insights into the relationship between theatre and the automobile through the lens of Mobility Studies and Performance Studies. While cars are commonly featured in visual media, they are rarely seen in theatre due to the inherent limitations of theatrical space. However, some artists have recently embraced this challenge, offering creative solutions both on stage and on the road in site-specific performances. Mobile Thriller, a monologue set in a car traveling on the Milan ring road, was initially performed in traditional theatre venues in Milan and Glasgow. It was later adapted for a performance inside a real car at the 2004 Edinburgh Fringe Festival. This essay discusses the differences between two versions of the play, highlighting how theatrical dramaturgy is always structured around the concept of space.
Downloads
Riferimenti bibliografici
Aguiar, Marian, et al., editors. Mobilities, Literature, Culture, Palgrave Macmillan, 2019.
Ferdman, Bertie. Off Sites: Contemporary Performance Beyond Site-Specific, Southern Illinois University Press, 2018.
Gabrielli, Renato. “Death and the City.” Translated by Margaret Rose, Plays International, vol. 19, no.7, April/May 2004, pp. 40-46.
Kafka, Franz. America. Progetto per una messinscena di Giorgio Barberio Corsetti, Vita e Pensiero, 1993.
Lehmann, Hans-Thies. Postdramatic Theatre. Translated by Karen Jürs-Munby, Routledge, 2006.
Merriman, Peter, and Lynne Pearce, editors. Mobility and the Humanities, Routledge, 2019.
Nibbelink, Liesbeth Groot. “Mobile Performance and Nomadic Theory.” Nordic Theatre Studies, vol. 27, no.1, 2015, pp. 22-31.
Pearce, Lynne. Drivetime. Literary Excursions in Automotive Consciousness, Edinburgh University Press, 2016.
Pearson, Mike, Site-specific Performance, Palgrave Macmillan, 2017.
Peja, Laura. “Lo spazio.” Ingresso a Teatro: guida all’analisi della drammaturgia, edited by Anna-maria Cascetta and Laura Peja, Le Lettere, 2011, pp. 68-79.
Pessina, Gloria. “Osservare la città da una camera car. L’esperienza di Strasse a Milano.” Lo squaderno, No.49, September 2018, pp. 19-22.
Rose, Margaret, and Cristina Marinetti. “How Renato Gabrielli’s one-man play Qualcosa Trilla went on the Road as Mobile Thriller.” Staging and Performing Translation. Text and Theatre Practice, edited by Roger Baines, Cristina Marinetti, and Manuela Perteghella, Palgrave Macmillan, 2011, pp. 139-154.
Turner, Cathy, and Synne K. Behrndt, Dramaturgy and Performance, Palgrave Macmillan, 2008.
Urry, John. Mobilities, Polity Press, 2007.
Waters, Steve. The Secret Life of Plays. Nick Hern Books, 2010.
Wilkie, Fiona. Performance, Transport and Mobility. Making Passage, Palgrave Macmillan, 2015.
Zinato, Emanuele. Automobili di carta. Spazi e oggetti automobilistici nelle immagini letterarie, Padova University Press, 2012.
Dowloads
Pubblicato
Come citare
Fascicolo
Sezione
Licenza
Except where otherwise noted, the content of this site is licensed under a Creative Commons Attribution 4.0 Unported License.
Accettato 2024-12-27
Pubblicato 2025-03-11
