G. di John Berger Per la storicizzazione del personaggio neo-modernista
DOI:
https://doi.org/10.13130/2037-2426/13821Keywords:
English literature; John Berger; G,; neo-modernism; character; Don Juan.Abstract
The essay focuses on G., the eponymous hero of John Berger’s neo-modernist novel, and on some minor characters in the story – i.e., the women figures and the stone guest – in order to clarify Berger’s re-interpretation of the Don Juan archetype as a biological and “anti-historical” revolutionist. Special attention is paid to the narrative modalities through which characters are constructed in a novel that brings together both realist and modernist features, in order to criticize the political disengagement of postmodernist relativism.
Downloads
Download data is not yet available.
References
Alber, Jan and Heinze, Rüdiger (eds). Unnatural Narratives-Unnatural Narratology. De Gruyter, 2011.
Bachtin, Michail. Estetica e romanzo. Einaudi, 1979.
Berger, John. G.: A Novel. Bloomsbury, 2012.
——. “How to Resist a State of Forgetfulness”. Brick: A Literary Journal, vol. 96, 2016, pp. 96-99.
Bottiroli, Giovanni. “Identity Exists Only in Its Modes: The Flexible Subject and the Interpretative Mind Against Semi-Cognitive ‘Sciences’.”Comparatismi, vol. I, 2016, pp. 2-19.
Brazil, Kevin. “The Moment of History: John Berger’s Modernism After Realism.” Art, History, and Postwar Fiction. Oxford University Press, 2018, pp. 97-128.
Crews, Frederick. “Foreword from the Literary Side” to The Literary Animal: Evolution and the Nature of Narrative, edited by Jonathan Gottschall and David Sloan Wilson. Northwestern University Press, 2005, pp. xiii-xv.
Dyer, Geoff. Ways of Telling. Pluto Press, 1984.
James, David E. “Cubism as Revolutionary Realism: John Berger and G”. Minnesota Review, vol. 21, 1983, pp. 92-109.
Laing, R.D. The Self and Others. Tavistock, 1961.
Lawrence, David Herbert. “Benjamin Franklin.” Studies in Classic American Literature. Cambridge UP, 2014, pp. 20-31.
Lukács, Gyorgy. L’anima e le forme. 1908. SE, 2002.
Mazurek, Raymond A. “Totalization and Contemporary Realism: John Berger’s Recent Fiction.”Critique: Studies in Contemporary Fiction, vol. 25, n. 3, 1984, pp.136-146.
Ortega y Gasset, José. La ribellione delle masse. 1929. TEA, 1988.
Sherry, Vincent. Modernism and the Reinvention of Decadence. Cambridge University Press, 2016.
Wesling, Donald. Animal Perception and Literary Language. Palgrave Macmillan, 2019.
Bachtin, Michail. Estetica e romanzo. Einaudi, 1979.
Berger, John. G.: A Novel. Bloomsbury, 2012.
——. “How to Resist a State of Forgetfulness”. Brick: A Literary Journal, vol. 96, 2016, pp. 96-99.
Bottiroli, Giovanni. “Identity Exists Only in Its Modes: The Flexible Subject and the Interpretative Mind Against Semi-Cognitive ‘Sciences’.”Comparatismi, vol. I, 2016, pp. 2-19.
Brazil, Kevin. “The Moment of History: John Berger’s Modernism After Realism.” Art, History, and Postwar Fiction. Oxford University Press, 2018, pp. 97-128.
Crews, Frederick. “Foreword from the Literary Side” to The Literary Animal: Evolution and the Nature of Narrative, edited by Jonathan Gottschall and David Sloan Wilson. Northwestern University Press, 2005, pp. xiii-xv.
Dyer, Geoff. Ways of Telling. Pluto Press, 1984.
James, David E. “Cubism as Revolutionary Realism: John Berger and G”. Minnesota Review, vol. 21, 1983, pp. 92-109.
Laing, R.D. The Self and Others. Tavistock, 1961.
Lawrence, David Herbert. “Benjamin Franklin.” Studies in Classic American Literature. Cambridge UP, 2014, pp. 20-31.
Lukács, Gyorgy. L’anima e le forme. 1908. SE, 2002.
Mazurek, Raymond A. “Totalization and Contemporary Realism: John Berger’s Recent Fiction.”Critique: Studies in Contemporary Fiction, vol. 25, n. 3, 1984, pp.136-146.
Ortega y Gasset, José. La ribellione delle masse. 1929. TEA, 1988.
Sherry, Vincent. Modernism and the Reinvention of Decadence. Cambridge University Press, 2016.
Wesling, Donald. Animal Perception and Literary Language. Palgrave Macmillan, 2019.
Downloads
Published
2020-07-02
How to Cite
Ciompi, F. (2020). G. di John Berger Per la storicizzazione del personaggio neo-modernista . ENTHYMEMA, (25), 24–36. https://doi.org/10.13130/2037-2426/13821
Issue
Section
Per una nuova antropologia del personaggio
License
Except where otherwise noted, the content of this site is licensed under a Creative Commons Attribution 4.0 Unported License.
Received 2020-07-02
Accepted 2020-07-02
Published 2020-07-02
Accepted 2020-07-02
Published 2020-07-02
