Di un recente convegno, e delle ragioni e prospettive di una ricerca sulla scultura romanica ‘lombarda’
DOI:
https://doi.org/10.54103/fenestella/30343Parole chiave:
PRIN 2022, Lombard Sculpture, Romanesque SculptureAbstract
The PRIN2022 project Deconstructing “Lombard Identity”. For a New Vision of Romanesque Sculpture in the North Italian Context investigates the functions of images and the communicative strategies active in Romanesque Lombardy through its most representative artistic medium: stone architectural sculpture. Moving beyond the historiographical construct of “Lombard-ness”, the project reassesses formal, technical, and contextual specificities within clearly defined geographical and chronological limits. By foregrounding local contexts and emphasising diversity over inherited analogies, it aims to redefine long-standing interpretative models. The Parma 2024 conference – followed by the concluding meeting in Pavia and Milan – constituted an essential first stage in reframing the methodological and historiographical foundations for future research.
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Copyright (c) 2026 Luigi Carlo Schiavi

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