A Sediment Diversion for the Audible World

Ryan C. Clarke is a tonal geologist from the southeastern banks of the Mississippi, and an editor and curator at Dweller Electronics. His work has been published and presented by Rivers Institute for Contemporary Art and Thought, e-flux journal, Rhizome, Burnaway, Terraforma, Harvard’s Hiphop Archive & Research Institute, and MoMA PS1. With Dweller, Clarke produces festivals and publications that center the perspectives of Black electronic musicians.

Michael Nardone’s recent and forthcoming works include Convivialities (a book of dialogues), Border Tuner | Sintonizador Fronterizo (a monograph on Rafael Lozano-Hemmer, co-edited with Edgar Picazo Merino), and Aural Poetics (an edited work on sound and composition across the arts). He lives in Montréal.