“This is you”: Encountering Shakespeare with Tim Crouch

Autori

DOI:

https://doi.org/10.13130/2035-7680/9175

Parole chiave:

Tim Crouch, Shakespeare, adaptation, 21st-century drama, monologue, mobility

Abstract

This essay considers Tim Crouch's "I Shakespeare", a suite of monologue plays based on "The Tempest" ("I, Caliban", 2003), "A Midsummer Night's Dream" ("I, Peaseblossom", 2004), "Macbeth" ("I, Banquo", 2005), "Twelfth Night" ("I, Malvolio", 2010) and "Julius Caesar" ("I, Cinna (the poet)", 2012). While originally designed for a young audience, Crouch's adaptations have been performed in a variety of theatrical contexts that have added new and probably unforeseen dimensions to their negotiations with Shakespeare. In my analysis I turn to the notion of mobility as a key analytical tool to elucidate the method, aims, as well as the broader cultural meaning of Tim Crouch's reworkings. In his hands, Shakespeare is mobilized as a powerful resource to activate spectators and emphasize their co-authorship in the process of theatre. Through a combination of textual strategies and performance methods, the monologues construct the identities of Shakespeare's characters as multiple and mutable and, in parallel, cast their addressees in fluid, often contradictory roles. My main line of argument is that the plays' propensity of motion is rooted in their emphasis on Shakespeare as a highly mobile cultural signifier which seems confirmed by the monologues' journeys outside the UK. The further adaptational practices triggered by these encounters with foreign audiences are testament to the flexibility of Crouch's dramaturgy of process and its aptitude to accommodate new discursive identities and adjust to each new context of reception.

Biografia autore

Sara Soncini, Università degli Studi di Pisa

Sara Soncini is a researcher and lecturer in English Literature at the University of Pisa. Her areas of interest include contemporary British drama, with specific emphasis on the representation of war and conflict, modern-day appropriations of Shakespeare (performances, adaptations, translations), and Restoration and early 18th-century theatre culture. She has recently published "Forms of Conflict: Contemporary Wars on the British Stage" (University of Exeter Press, 2015) and co-edited "Shakespeare and Conflict: A European Perspective" (Palgrave Macmillan, 2013).

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Pubblicato

2017-11-14

Come citare

Soncini, Sara. 2017. «“This Is you”: Encountering Shakespeare With Tim Crouch». Altre Modernità, novembre, 22-35. https://doi.org/10.13130/2035-7680/9175.