Il cinema di Pasolini e la morte: tra complesso della mummia e sindrome di Frankenstein
DOI:
https://doi.org/10.13130/2035-7680/690Keywords:
Pasolini, Bazin, religione, morte, performanceAbstract
Cinema's ability to defeat death by stopping the run of time is written inside its own statute. Confiding on this capacity, Pasolini devotes his filmic work to the theme of death (interrogated through Christ's myth) and elaborates a linguistic theory (strictly linked to the performative aspects of his artistic work) to give an explanation of death through a filmic metaphor.Metrics
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Published
2010-10-30
How to Cite
Subini, Tomaso. 2010. “Il Cinema Di Pasolini E La Morte: Tra Complesso Della Mummia E Sindrome Di Frankenstein”. Altre Modernità, no. 4 (October):67-81. https://doi.org/10.13130/2035-7680/690.
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Section
Saggi Ensayos Essais Essays