Apocalipsis de la madre patria: la decadencia de la Europa de finales del siglo XIX en las “crónicas” de Rubén Darío

Autori

  • Alessandra Ghezzani Università degli Studi di Pisa

DOI:

https://doi.org/10.13130/2035-7680/3073

Abstract

The last part of Rubén Darío's literary production was marked by a change in his poetics, that means he increased intimism, civil and political interests. In the chronicles written at the end of the 19th century, the change also concerns the author's statement of European decadence and fall. In this period, in which Spain lost his colonies (1898), Darío focuses on the reasons why Spain (España contemporánea, 1901) and to some extent France (Peregrinaciones, 1901; Parisiana, 1908) got into an extensive cultural crisis. In this essay I get evidence of Dario's political thought, pointing out the way in which he recognizes signs of decadence, and the arguments he uses, which imply an idealistic solution to problems.

Metriche

Caricamento metriche ...

Biografia autore

Alessandra Ghezzani, Università degli Studi di Pisa

Alessandra Ghezzani es investigadora de Lengua y Literaturas Hispanomericanas en la Universidad de Pisa. Sus intereses se concentran en la narrativa hispanoamericana moderna y contemporánea, la representación de los procesos culturales en ensayos y crónicas del siglo XIX, la argumentación ensayística y los procedimientos ficcionales. Además de varios artículos sobre J.L. Borges, J. Cortázar, A. Carpentier, R. Arenas, ha publicado la monografía Borges critico letterario. Strutture e procedimenti discorsivi (2008).

Dowloads

Pubblicato

2013-06-25

Come citare

Ghezzani, Alessandra. 2013. «Apocalipsis De La Madre Patria: La Decadencia De La Europa De Finales Del Siglo XIX En Las “crónicas” De Rubén Darío». Altre Modernità, giugno, 74-88. https://doi.org/10.13130/2035-7680/3073.

Fascicolo

Sezione

Saggi Ensayos Essais Essays