Somiglianze immateriali

Autori

  • Silvana Borutti

DOI:

https://doi.org/10.13130/2240-9599/3470

Abstract

Starting from ancient philosophy, I define the notion of mousiké as polymorphic and polysemic artistic form, which unifies at different levels different forms of expressivity. This notion allows me to speak about translation, symbolical transformations and poetic power. In this essay I analyze the relationship between music, painting and poetry as creative symbolical universes which bring into light an ‘immaterial likeness’.

Riferimenti bibliografici

RIMBAUD, Arthur, Métropolitain, in Id., Tutte le poesie, Roma, Newton Compton, 2007.

AGOSTI, Stefano, Il cigno di Mallarmé, Roma, Silva, 1969.

BACHELARD, Gaston, Psicanalisi dell’aria. Sognare di volare. L’ascesa e la caduta, Como, Red, 2007.

BENJAMIN, Walter, Sulla facoltà mimetica, in Angelus Novus, Torino, Einaudi, 1981.

CORNEILLE, Pierre, Le Cid.

SYLVESTER, David, Interviews with Francis Bacon, London, Thames and Hudson, 1993.

FLAUBERT, Gustave, L’educazione sentimentale, Milano, Feltrinelli, 1992.

WUNENBURGER, Jean-Jacques, Imagination onirique et transfiguration artistique, «Poiesis» 4 (2002).

KOLLER, Hermann, La mimesis nell’antichità, «Studi di estetica» 7 (1993), 8, pp. 20-21.

MALLARME, Stéphane, Crise de Vers, Paris, Lely, 1932.

MALLARME, Sthéphane, Lettre à Henri Cazalis (30 October 1864), in Id., Oeuvres Complètes, Paris, Mondor & Jean-Aubry, 1945.

PLATONE, Repubblica.

JANKÉLÉVITCH, Vladimir, Debussy e il mistero, Milano, SE, 2012.

VERLAINE, Paul, Jadis et Naguère, Paris, Vanier, 1884.

WITTGENSTEIN, Ludwig, Ricerche filosofiche, Torino, Einaudi, 1967.

Dowloads

Pubblicato

2013-12-16

Fascicolo

Sezione

Varia