Dino Formaggio e la mano nell'arte

Autori

  • Andrea Pinotti Professore Ordinario di Estetica presso l’Università degli Studi di Milano

DOI:

https://doi.org/10.13130/mde.vi7.3.14787

Parole chiave:

Dino Formaggio, Raphael, Manual Skill, Hands

Abstract

My contribution addresses the issue “hands” in Dino Formaggio on the background of legend of the genial artist without hands, as illustrated by Marcantonio Raimondi’s portrait of Raphael and exposed in Lessing’s Emilia Galotti. Such myth is systematically deconstructed by art theorists like Nietzsche, Dessoir, Utitz and eventually Dino Formaggio himself, who rejected it both in his theoretical approach and in his artistic practice.

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Pubblicato

2020-12-21

Fascicolo

Sezione

Dino Formaggio