Senza fissa dimora. Le arti nell’età altermoderna

Authors

  • Giacomo Fronzi

DOI:

https://doi.org/10.13130/2465-0137/15839

Keywords:

contemporaneity, altermodernity, radicant, new technologies, contemporary arts.

Abstract

If the philosophy of music, as Giovanni Piana has pointed out, can only begin by taking a step backward,
not turning immediately to music itself, but starting from the experience of sound, our
society, being profoundly conditioned by computer technologies, requires a further step backward. Even before the sound, it is necessary to reflect on the condition of today’s human being and on the way in which the arts are able to describe and interpret its features.
In this contribution, I will try to reconstruct the main elements of a possible reading of our times in an altermodern key, by finding in the Internet environment the instrument that best synthesizes, both strictly and metaphorically speaking, the current condition of the contemporary subject.

Downloads

Published

2021-06-24 — Updated on 2021-06-25

Issue

2020: XXIV (2)

Section

Saggi

License

The author(s) grants De Musica the right to publish the work for the first time and the perpetual right to distribute it free of charge to the public through the Journal's Web site.

The author(s) retains the right to create derivative works and to reproduce, distribute, perform, or publicly display his or her work in lectures, conferences, or presentations, or other scholarly works and professional activities making explicit publication in De Musica.

The author(s) retain(s) the right to disseminate with open access, through their own website or through an institutional or disciplinary repository, the work from the time of its publication in De Musica.

The author(s) waive, in agreement with the Publisher, any form of remuneration, if any, granted by current national legislation to authors and publishers for nonprofit reprography and library lending rights.