Sketch for a metaphysics of musical performance.
A dialogue on issues from ontologies and theory of interpretation by Luigi Pareyson.
DOI:
https://doi.org/10.54103/2465-0137/20088Keywords:
Luigi Pareyson, Interpretation, MusicAbstract
The article aims to reflect - in a dialogic form with interludes - on some issues concerning musical interpretation and performance in Luigi Pareyson's work, in an admittedly partial reconnaissance of the philosopher's articulated research path in its fundamental phases: an aesthetics accomplished as a theory of formativity, a hermeneutics developed as an ontology of the inexhaustible, a theocentric ontology of freedom.
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