La Nonlinearità nella musica di Schumann
Un esempio dal Nachtstücke op.23
DOI:
https://doi.org/10.54103/2465-0137/20927Keywords:
Schumann, Nonlinearity, Linearity, Musical AnalysisAbstract
In this paper, I reflect on nonlinearity in some musical compositions and improvisations. The nonlinear analyses written by Jonathan Kramer are well known. I intend to extend a similar approach to musical compositions, improvisations and performances by adopting the perspective of the musician who restores the relationship between linearity and nonlinearity in the concrete act of musical performance.
References
M. COSOTTINI, Metodologia dell’improvvisazione musicale. Tra Linearità e Nonlinearità, Edizioni ETS, 2017.
R. DI BENEDETTO, Romanticismo e scuole nazionali nell’Ottocento, Vol. VIII, EDT, 1991.
J. KRAMER, Il tempo musicale, in Enciclopedia della musica, Vol. II, Einaudi, Torino, 2002
J. KRAMER, Multiple and Non-Linear Time in Beethoven’s Opus 135, Perspectives of New Music, Vol. XI, N.2, 1973.
J. KRAMER, The Time of Music, Schirmer, New York, 1988.
C. SCHUMANN, Robert Schumanns Werke, Serie VII: Für Pianoforte zu zwei Händen Leipzig: Breitkopf & Härtel, 1887. Plate R.S. 61.
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