La voce minimale
DOI:
https://doi.org/10.13130/2465-0137/3069Abstract
Il presente articolo analizza l'utilizzo dell'elemento vocale all'interno delle logiche compositive e estetiche del minimalismo musicale statunitense attraverso lo studio di alcune composizioni a firma di Steve Reich (It’s gonna rain, Come Out), Philip Glass (Einstein on the beach - Knee play 5) e Terry riley (Church of Anthrax, Descending Moonshine Dervishes, Atlantis Nath).
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