La disarmonia originaria: epopea, tragedia e commedia

Authors

  • Olivier Abel EHESS et IPT (Paris)

DOI:

https://doi.org/10.13130/2037-2426/3527

Keywords:

Epopea, tragedia, commedia, soggetto

Abstract

Evoking Hegel’s identification of three figures in literature, outlined in his Phenomenology of the Spirit, the essay connects the interpretation of the subject that surfaces in the philosophy of Ricœur with a form of triple disharmony. The tragic subject is that torn by moral issues, the comic subject – free-spirited and careless, connects with practical knowledge, and the epic subject identifies with the ‘us’ but, at the same time, in conformity with Kant’s understanding of the limit, conceives the Hegelian totality as desire or aspiration.

References

Hegel, Georg Wilhelm Friedrich. Fenomenologia dello spirito. Milano: Bompiani, 2000. Stampa.

Ricœur, Paul. Il conflitto delle interpretazioni. Milano: Jaca Book, 1977. Stampa.

---. La memoria, la storia, l’oblio. Milano: Raffaello Cortina, 2003. Stampa.

---. “La simbolica del male.” Finitudine e colpa. Bologna: il Mulino, 1970. Stampa.

---. “L’image de Dieu et l’épopée humaine.” Histoire et vérité. Paris: Seuil, 1955. 112-131. Stampa.

---. “L’uomo fallibile.” Finitudine e colpa. Bologna: il Mulino, 1970. Stampa.

---. Sé come un altro. Milano: Jaca Book, 1993. Stampa.

Steiner, George. Le Antigoni. Milano: Garzanti, 2003. Stampa.

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Published

2013-12-20

How to Cite

Abel, O. (2013). La disarmonia originaria: epopea, tragedia e commedia. ENTHYMEMA, (9), 47–55. https://doi.org/10.13130/2037-2426/3527

Issue

No. 9 (2013)

Section

Etica e poetica dei generi letterari

License

Creative Commons License
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