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  • The submission is accompanied by an abstract in English (200-250 words).

Author Guidelines

Guidelines for Authors PDF

Text: file .doc/.odt (max 12.000 words) with abstract in English (200-250 words). Illustrations (max 30): .jpeg files or a single .pdf file; captions in a separate .doc(x)/.odt file. Once past the anonymous review: high-res .jpeg/.tiff files, with all permissions for reproduction cleared. There are no submission or publication fees, but personal registration to the site is required

 

Line spacing: 1,5

Main title: Roman 16

Paragraph title: Roman 11

Subparagraph title: Italic 11

Text: Roman 11

Please, no hyphenation or indentation

Short quotations: Roman 11, without quotation marks

 

Punctuation

« » Short quotations and journal names

" " Quotation within a quotation

' ' To emphasise

[…] Ellipsis in a quotation

 

Capitals

The Saviour, the Virgin, the Baptist, the Porphyrogennetos, BUT: the apostles, the evangelists, the prophets. Churches and altars: SS. Sergius and Baccus in Constantinople, St. Ambrose in Milan, altar of St. John the Baptist.

 

Italic

Titles of monographs, edited volumes, journal articles. Single words and quotations (without quotation marks) in Latin and in transliterated Greek, as well as in other ancient or modern languages transliterated.

 

Abbreviations

col./coll. = column/s

doc./docs = document/s

ed./eds = editor/editors       *for all languages

fig./figs = figure/s

f./ff. = folio/folios

Ibidem = same volume and same pages

ivi = same publication but different pages

Idem/Eadem = same author but different publication

ms./mss. = manuscript/s

r/v = recto/verso (no dot)

pl./pls = plate/s

 

Bibliographical references

Bibliographical references should be displayed after the text, alphabetically ordered.

Footnotes (Name year: pages): De Blaauw 2018: 166-168. In case of two or more contributes of the same author in the same year: Kessler 2002a; Kessler 2002b, and so on. The footnote numerals in the text come before the punctuation: … in the twelfth century2. NOT … in the twelfth century.2

 

Primary sources

Fabre P., Duchesne L. (eds), Le Liber censuum de l'Eglise Romaine, I, Paris 1889.  FOOTNOTE: Fabre, Duchesne 1889.

Bruno Signinus, Expositio in Iob, PL 164, coll. 551-695 [intervallo completo / full text]. FOOTNOTE: Bruno Signinus, Expositio in Iob, PL 164, col. 683a.

Sancti Hieronimi Stridonensis presbiteri Opera, I, Opera exegetica, 6, Commentarii in Prophetas minores, M. Adriaen (ed.), Turnhout 1969-1970 (CCSL 77). FOOTNOTE: Sancti Hieronimi presbiteri Opera. Commentarii in Prophetas minores, M. Adriaen (ed.): 216.143-148.

Beda, De temporum ratione, in Chronica minora, Th. Mommsen (ed.), Berlin 1898 (MGH, AA 13): 243-327. FOOTNOTE: Beda, De temporum ratione, Th. Mommsen (ed.): 248.

Constantini Porphyrogeniti Imperatoris De cerimoniis aulae byzantinae libri duo graece et latine, Io. Iac. Reiskii (ed.), 2 voll., Bonn 1829-1830 (CSHB). FOOTNOTE: Constantini Porphyrogeniti De cerimoniis aulae byzantinae, I, 31, Io. Iac. Reiskii (ed.), 1: 170.20-171.5.

Symeonis Magistri Chronicon, S. Wahlgren (ed.), Berlin-New York 2006 (CFHB, Series Berolinensis 44/1). FOOTNOTE: Symeonis Magistri Chronicon, 48, 1-2, S. Wahlgren (ed.): 75.

Constantine Porphirogenitus, Three Treatises on Imperial Military Expeditions, J.F. Haldon (ed.), Wien 1990 (CFHB, Series Vindobonensis 28). FOOTNOTE: Constantine Porphirogenitus, Three Treatises on Imperial Military Expeditions, J.F. Haldon (ed.).

 

Monographs

Caillet J.-P., L'art carolingien, Paris 2005.

Weitzmann K., Kessler H.L., The Cotton Genesis. British Library, ms. Cotton Otho B VI, Princeton 1986.

Angheben M., D’un jugement à l’autre. La représentation du jugement immédiat dans les Jugements derniers français. 1100-1250, Turnhout 2013 (Culture et société médiévales 25).

Demus O., L’arte bizantina e l’Occidente, Torino 2008 (Paris 1970).

 

Journals

Piva P., Sull’iconografia della Porte Miègeville a Toulouse, «Arte medievale» 7 (2017): 53-72.

Lowden J., Concerning the Cotton Genesis and Other Illustrated Manuscripts of Genesis, «Gesta» 31/1 (1992): 40-53.

Muratova X., Le scene della Creazione nei mosaici siciliani e gli studi della natura del XII secolo, «Römisches Jahrbuch der Bibliotheca Hertziana» 38 (2007-2008 [2010]): 9-24.

Scirea F., Dipingere il marmo nella Langobardia. La sintassi ornamentale da ponte con la tarda Antichità a matrice di una cultura artistica, «Mélanges de l’École française de Rome – Moyen Âge» 130/1 (2018), online, consultato il … / last access … , URL: http://journals.openedition.org/mefrm/4027; DOI: 10.4000/mefrm.4027.

 

Book reviews in journals

Brenk B. (Review of), M. Fourlas, Die Mosaiken der Acheiropoietos-Basilika in Thessaloniki, Berlin 2012, «Byzantinische Zeitschrift» 110/1 (2017): 217-221.

Pace V. (Review of), N. Zchomelidse, Art, Ritual, and Civic Identity in Medieval Southern Italy, Pennsylvania State University Press 2014, «The Burlington Magazine» CLVIII/1360 (2016): 564.

 

Edited volumes

Gasparri S. (ed.), Il regno dei Longobardi in Italia. Archeologia, società e istituzioni, Spoleto 2004.

Bordi G., Le figure di sante nella chiesa sotterranea di S. Maria in Via Lata, in S. Romano (ed.), Riforma e tradizione. 1050-1198, Milano 2006 (La pittura medievale a Roma. 312-1431, Corpus IV): 37-39.

Torno Ginnasi A., Un ciclo di Re, corone e uomini in arme: sopravvivenze antiche, tradizioni occidentali e suggestioni bizantine [with Summary in English], in F. Scirea (ed.), San Tommaso ad Acquanegra sul Chiese. Storia, architettura e contesto figurativo di una chiesa abbaziale romanica, Mantova 2015 (Ricerche di architettura storica 1): 171-181.

Marković M., Beginnings of Artistic Activity in the Serbian Lands (9th-11th century), in D. Vojvodić, D. Popović (eds), Sacral Art of the Serbian Lands in the Middle Ages, Belgrade 2016 (Byzantine Heritage and Serbian Art 2): 147-163.

De Blaauw S., The Paradise of St. Peter’s, in E.M. van Opstall (ed.), Sacred Thresholds. The Door to the Sanctuary in Late Antiquity, Leiden-Boston 2018: 160-186.

 

Conference Proceedings

Barral i Altet X., Conclusioni, in M. D’Onofrio, M. Gianandrea (eds), Gaeta medievale e la sua cattedrale, atti del convegno internazionale (Gaeta, 11-13 marzo 2016), Roma 2018 (Medioevo mediterraneo 1): 581-586.

Featherstone J.M., De Cerimoniis. The Revival of Antiquity in the Great Palace and the ‘Macedonian Renaissance’, in A. Ödekan, N. Necipoğlu, E. Akyürek (eds), The Byzantine Court. Source of Power and Culture, Papers from the Second International Sevgi Gönül Byzantine Studies Symposium (Istanbul, 21-23 June 2010), Istanbul 2013: 139-144.

Pace V., Natura e figura della ‘maniera greca’ nella storiografia italiana e nella realtà, in A.C. Quintavalle (ed.), Medioevo. Natura e figura, atti del convegno internazionale (Parma, 20-25 settembre 2011), Milano 2015 (I convegni di Parma 14): 745-753.

Paribeni A., Pedone S., Mosaici e sectilia medievali nelle illustrazioni di Andrea Terzi: pavimenti e arredi cosmateschi delle chiese di Roma, in C. Angelelli (ed.), Atti del XIV colloquio dell'AISCOM (Spoleto, 7-9 febbraio 2008), Roma 2009: 541-560.

 

Exhibition catalogues

Maguire H., Images of the Court, in H.C. Evans, W.D. Wixom (eds), The Glory of Byzantium, Exhibition Catalogue (New York, 11 March-6 July 1997), New York 1997: 182-191.

Ballardini A., Il perduto oratorio di Giovanni VII nella basilica di San Pietro in Vaticano. Architettura e scultura, in M. Andaloro, G. Bordi, G. Morganti (eds), Santa Maria Antiqua tra Roma e Bisanzio, catalogo della mostra (Roma, 17 marzo-11 settembre 2016), Milano 2016: 220-227.

 

Encyclopedia and Handbooks

Elbern V.H., Pettine, in EAM, IX, Roma 1998: 344-347.

Schiller G., Ikonographie der christlichen Kunst, V, Die Apokalypse des Johannes, Gütersloh 1991, Textteil: 85-86.

 

Reprints

Mango C., When was Michael III Born?, «Dumbarton Oaks Papers» XXI (1967): 253-258 [riedito in / reprinted in Idem, Byzantium and its Image. History and Culture of the Byzantine Empire and its Heritage, Aldershot 1984 (Variorum Collected Studies Series 191), n. XIV].

Mango C., When was Michael III Born?, in Idem, Byzantium and its Image. History and Culture of the Byzantine Empire and its Heritage, Aldershot 1984 (Variorum Collected Studies Series 191), n. XIV [già / originally in «Dumbarton Oaks Papers» XXI (1967): 253-258].

Kessler H.L., A Small Corner of Paradise. The Frescoes in San Paolo inter vineas at Spoleto, in A. Cadei, M. Righetti Tosti Croce, A. Segagni Malacart, A. Tomei (eds), Arte d'Occidente. Temi e metodi. Studi in onore di Angiola Maria Romanini, Roma 1999: 815-822 [riedito in / reprinted in H.L. Kessler, Old St. Peter's and Church Decoration in Medieval Italy, Spoleto 2002: 179-186].

Kessler H.L., A Small Corner of Paradise. The Frescoes in San Paolo inter vineas at Spoleto, in Idem, Old St. Peter's and Church Decoration in Medieval Italy, Spoleto 2002: 179-186 [già in / originally in A. Cadei, M. Righetti Tosti Croce, A. Segagni Malacart, A. Tomei (eds), Arte d'Occidente. Temi e metodi. Studi in onore di Angiola Maria Romanini, Roma 1999: 815-822].

 

Master Thesis/PhD. Dissertation

Galesi M.E., La Pieve di San Tommaso ad Acquanegra sul Chiese e il suo mosaico pavimentale, Tesi di laurea, Università degli Studi di Bologna, rel. R. Farioli Campanati, 1986-1987.

Orezzi E., Oltre le Bibbie atlantiche: Riforma gregoriana e produzione libraria, Tesi di dottorato (XXII ciclo), Università degli Studi di Cassino 2009-2010.

Reilly D.J., The Saint-Vaast Bible. Politics and Theology in Eleventh Century Capetian France, Ph.D Diss., University of Toronto 1999.

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