This essay aims to propose a reinterpretation of the category of «scrittura di ricerca» in the two phases of Alessandro Broggi’s work. Starting from an analysis of the critical debate and of the in-depth knowledge of Nicolas Bourriaud’s Postproduction (2002), Joan Fontcuberta’s theories on the mechanisms of referentiality and Marco Villa’s analysis of the use of tautology in contemporary poetry will be integrated in order to identify a turning point relative to the neo-avant-garde tradition in Broggi’s Avventure minime (2014), leading to the “peculiar enunciative situation” of Noi (2022).