This essay analyses Natalia (1930), the debut novel by Fausta Cialente. Long neglected by critics, the text stands at the crossroads of multiple narrative modes and displays noteworthy features within the context of the early 1930s. After outlining the publishing context of its first edition, the essay establishes the terms for a historical and literary positioning of the work. The essay therefore proposes a historical interpretative perspective in relation to the Unknown Soldier and the memory of the war dead in the post-First World War period. Finally, the analysis focuses on two recurring themes (adultery and seduction) which contribute to a richer understanding of the «deformations» produced by the characters.