The essay proposes a reading of Beppe Fenoglio’s Una questione privata through the categories of fairy tale, violence and truth. The fairy-tale aspect of the novel is explored by noting how Fenoglio naturally creates fantastic suggestions from the strictest realism – one of the crucial reasons for his appeal. I then focus on the two forms of violence present in the text: the armed one, whose unadulterated representation contributes to providing a moral backdrop for Milton’s affair, and the sentimental one that afflicts him through jealousy and amorous delirium (for which I find it useful to apply Proust’s lesson, outlining a comparison with Swann). Finally, I wonder what kind of truth Milton seeks: whether it has metaphysical significance or whether his quête is limited to a personal adventure.