Emotions in Art

Romeo Castellucci’s hypnotic atmosphere

Adeline Thulard

Abstract


This paper aims to clarify the contrasted public response to Romeo Castellucci’s works, analysing particularly his work the Oresteia (2015) in the light of actual philosophic and scientific researches about hypnosis. Hypnosis, in fact, may provides us with the tools to understand the scenic processes which may induce a state of trance-like in the spectator and more generally the emotional path, between shock, hypnosis and distance, proposed by the images on stage.


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DOI: https://doi.org/10.13130/2039-9251/10512

NBN: http://nbn.depositolegale.it/urn%3Anbn%3Ait%3Aunimi-23027

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Based on a work at riviste.unimi.it.

Registrazione n° 593 del 12/11/2010 del Tribunale di Milano
2010 - Pubblicato in Italia. Alcuni diritti riservati