Technogenesis of the Earth Simondon and the Neo-magic
DOI:
https://doi.org/10.54103/2039-9251/25162Keywords:
Infrastructures, Geophilosophy, Planetary Thinking, Philosophy of Technology, Information Age.Abstract
Gilbert Simondon was among the first to observe the rise of planetary technologies and to integrate this phenomenon into his philosophy. Already since On the Mode of Existence of Technical Objects, Simondon claimed that technology is endowed with an intrinsic ecumenic tendency and that this tendency is manifesting through the technical ensembles of the informational era: technics is constructing the Earth as a new «techno-geographic environment». This paper aims at analyzing Simondon’s view on planetary technology and infrastructural networks, also in the light of the structural instability characterizing today’s social and natural systems. In the conclusions, an alternative way towards cultural progress is suggested, the one that Simondon discarded: the way of “aesthetics after aesthetics”. Aesthetics might in fact offer a different model to situate the human groups in the techno-planetary environment and overcome extractivist authoritarianism, as long as it finds effective realization into a neo-magic paradigm.
Downloads
References
Bignall, S., Postcolonial Agency. Critique and Constructivism, Edinburgh University Press, Edinburgh 2010.
Boever, A. de, Murray, A., Roffe, J., Woodward, A. (eds.), Gilbert Simondon. Being and Technology, Edinburgh University Press, Edinburgh 2012.
Bontems, V., Quelques éléments pour une épistémologie des relations d’échelle chez Gilbert Simondon. Individuation, Technique, et Histoire, “Appareil”, 2 (2008), online.
Brassier, R., Prometheanism and its Critics, in R. Mackay, A. Avanessian (eds.), #Accelerate: The Accelerationist Reader, Falmourth, Urbanomic 2014, pp. 466–487.
Brassier, R., Prometheanism and Real Abstraction, in R. Mackay, L. Pendrell, J. Trafford (eds.), Speculative Aesthetics, Urbanomic, Falmouth 2014, pp. 72–77.
Campagna, F., Magia e tecnica. La ricostruzione della realtà, Tlon, Roma 2021.
Federici, S., Re-enchanting the World. Feminism and the Politics of the Commons, PM Press, New York 2019
Gell, A., Arte e agency. Una teoria antropologica, Raffaello Cortina, Milano 2021.
Hester, H., Promethean Labors and Domestic Realism, “e-flux Architecture”, 2017 (online).
Mbembe, A., Brutalism, Duke University Press, Durham/London 2024.
Morawski, T., Vegetti, M. (a cura di), Earthscapes. Le conseguenze della visione della Terra dallo spazio, Donzelli, Milano 2024.
Mills, S., Gilbert Simondon: Information, Technology, and Media, Rowman & Littlefield, London-New York 2016.
Simondon, G., Sur la philosophie (1950-1980), PUF, Paris 2016.
Simondon, G., Sulla tecnica (1953-1983) (2014), Orthotes, Napoli-Salerno 2017.
Simondon, G., La résolution des problèmes, PUF, Paris 2018.
Simondon, G., Del modo di esistenza degli oggetti tecnici (1958), Orthotes, Napoli-Salerno 2020.
Toscano, A., A Plea for Prometheus, “Critical Horizons”, 10/2 (2009), pp. 241–256.
Trévelo, P.A., et al., The Earth is an Architecture, Spector Books, Leipzig 2021.
Vegetti, M., L’invenzione del globo. Spazio, potere, comunicazione nell’epoca dell’aria, Einaudi, Torino 2017.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Gregorio Tenti

This work is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.
The authors who publish in Itinera are required to accept the following conditions:
1. The authors retain the rights on their paper and lincese the journal the right of first publication. The paper is also licensed under a Creative Commons License, which allows others to share it, by indicating intellectual authorship and its first publication in Itinera.
2. Authors may adhere to other non-exclusive license agreements for the distribution of the published version of the paper (ex. deposit it in an institutional archive or publish it in a monograph), provided that its first publication in Itinera is indicated.
3. Authors can disseminate their paper online (ex. in institutional repositories or on their website) before and during the submission process, since this can lead to productive exchanges and increase quotations of the published work (See “The Effect of Open Access”).


